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An example of a Countryball featuring a Polish Countryball. The flipped flag is intentional. Countryballs, also known as Polandball, [a] is a geopolitical satirical art style, genre, and Internet meme, predominantly used in online comics strips in which countries or political entities are personified as balls [b] with eyes, decorated with their national flags.
Its purpose is to avoid clutter in "What links here" of the target article and to improve reverse lookup of articles containing references to individual manifestations of this particular class of identifiers (typically linked to through templates (of the various {{catalog lookup link}}, {}, {{authority control}} and similar types) but it can ...
YouTube, formerly named YouTube Spotlight, [2] is the official YouTube channel for the American video-sharing platform of the same name, spotlighting videos and events on the platform. Events shown on the channel include YouTube Comedy Week and the YouTube Music Awards .
You are free: to share – to copy, distribute and transmit the work; to remix – to adapt the work; Under the following conditions: attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses ...
Content ID is a digital fingerprinting system developed by Google which is used to easily identify and manage copyrighted content on YouTube. Videos uploaded to YouTube are compared against audio and video files registered with Content ID by content owners, looking for any matches.
The ISAN standard (ISO standard 15706:2002 & ISO 15706-2) is recommended or required as the audiovisual identifier of choice for producers, studios, broadcasters, Internet media providers and video games publishers who need to encode, track, and distribute video in a variety of formats. It provides a unique, internationally recognized and ...
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The main use of these search engines is the increasing creation of audiovisual content and the need to manage it properly. The digitization of audiovisual archives and the establishment of the Internet, has led to large quantities of video files stored in big databases, whose recovery can be very difficult because of the huge volumes of data and the existence of a semantic gap.