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Street Sounds Hip Hop Electro 12 is the twelfth compilation album in a series and was released 1986 on the StreetSounds label. The album was released on LP and cassette and contains eight electro music and old school hip hop tracks mixed by Herbie Laidley .
Solillaquists of Sound, often shortened to Solilla, is an American hip-hop quartet based in Orlando, Florida. Its line up currently consists of MCs Alexandrah and Swamburger, poet Tonya Combs and producer/composer Divinci. Solillaquists utilize elements of melody and harmony in their vocals.
Stetsasonic is an American hip hop band. Formed in 1981 in Brooklyn, New York City, New York, Stetsasonic was one of the first hip hop acts to perform with a full band and use live instrumentation in their recordings, paving the way for future hip hop bands such as The Roots.
[29] The Vibe linked mumble rap to earlier forms of hip-hop, as well as jazz scatting. [12] For The Conversation , Adam de Paor-Evans disputed the idea that mumble rap is a reflection of laziness, suggesting instead that it is an accurate reflection of boredom resulting from the immediacy and speed of contemporary cultural life."
Florida breaks, which may also be referred to as The Orlando Sound, Orlando breaks, or The Breaks, is a genre of breakbeat dance music that originated in the central region of Florida, United States. [1] Florida Breaks draws on hip-hop, Miami bass and electro. It often includes samples of early jazz or funk beats from rare groove or popular
Cloud rap is a subgenre of hip hop music that has several sonic characteristics of trap music with a hazy, dreamlike and relaxed production style. [3] [4] Rapper Lil B and producer Clams Casino were early pioneers of the style.
Rolling Stone placed it at number 181 on their list of the 200 greatest hip hop albums of all time, naming it "the greatest hip-hop compilation ever". [28] Fact magazine placed Soundbombing II at number 8 on their list of the 100 best indie hip hop records of all time, stating that it was a "lesson in the art and science of putting together ...
The Bristol sound has been described as "possessing a darkness that is uplifting, a joyful melancholy". [12] As a whole, the Bristol sound was characterised by a slow, spaced-out hip hop sound that a number of artists in the early and mid-1990s made synonymous with the city.
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