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The model is a Givenchy black Italian satin sheath evening gown. Christie's describes it as "a sleeveless, floor-length gown with fitted bodice embellished at the back with distinctive cut-out décolleté, the skirt slightly gathered at the waist and slit to the thigh on one side, labelled inside on the waistband Givenchy; accompanied by a pair of black elbow-length gloves". [9]
The numbers chosen personally by Hepburn included: a gray, Oxford-wool, double-breasted skirt suit with a scoop neck, cinched waist, and vented skirting, and a strapless white ball gown with floral organdy embroidering and a cascading train of black ruffles, as well as a black cocktail dress with a button, down, deep-v back, and flared ...
Fashion historians ascribe the origins of the little black dress to the 1920s designs of Coco Chanel. [1] It is intended to be long-lasting, versatile, affordable, and widely accessible. Its ubiquity is such that it is often simply referred to as the "LBD". [2] [3] [4] The little black dress is considered essential to a complete wardrobe.
Admit it: Dresses with pockets are the best thing since sliced bread. They hold small, everyday essentials without needing a handbag, and they also serve as the perfect place to put your hands when.
The American cocktail dress could be anything from a "little black dress" to a floral-printed dress or a plain, short evening gown, as long as it was worn with accessories. [7] These might be earrings, pearl necklaces, bracelets, or brooches (stylish in the 1950s). [7] However, it was most common to wear costume jewelry. [3]
The simple grey dress came with a matching potholder that fit into the dress pocket. [1] The "Popover Dress" sold for $6.95 [11] and more than 75,000 were sold in the first season alone. [2] These dresses became a staple of McCardell collections and over time, she made versions in different lengths and fabrics. [10] The "Popover Dress" received ...
The "Dolly Girl" was another archetype for young females in the 1960s. She emerged in the mid-1960s, and her defining characteristic is the iconic miniskirt. "Dolly Girls" also sported long hair, slightly teased, and childish-looking clothing. Clothes were worn tight fitting, sometimes even purchased from a children's section.
The scene with the black dress has been referenced in several films. Jessica Rabbit in the Disney film Who Framed Roger Rabbit, performs "Why Don't You Do Right?" similarly to Rita Hayworth in Gilda. For the 23rd James Bond film Skyfall (2012), costume designer Jany Temime referenced the dress while creating an outfit for Bond girl Sévérine. [8]
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