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Pages in category "Audio equipment manufacturers of Germany" The following 30 pages are in this category, out of 30 total. This list may not reflect recent changes. A.
Klotz Digital AG was a manufacturer of audio media products based in Munich, Germany; it was founded in 1990 and acquired by United Screens Media AG in 2009.The company was active in the two business segments Public Address and Radio & TV Broadcast.
Clyde Broadcast is a brand associated with the manufacture and supply of studio equipment for the radio broadcast industry. The name dates back to 'Clyde Electronics' who manufactured a series of analog mixers known as Alpha, Beta, Prima and Presenter.
Radio broadcasting is the broadcasting of audio (sound), sometimes with related metadata, by radio waves to radio receivers belonging to a public audience. In terrestrial radio broadcasting the radio waves are broadcast by a land-based radio station , while in satellite radio the radio waves are broadcast by a satellite in Earth orbit.
After World War I it was taken over by Mackay Radio and Telegraph Company and later the Federal Aviation Administration. It was demolished in 1938. [6] Starting in 1923, Telefunken built broadcast transmitters and radio sets. In 1928, Telefunken made history by designing the V-41 amplifier for the German Radio Network.
Interruptible foldback (IFB), also known as interrupted foldback, interruptible feedback, or interrupt for broadcast, is a monitoring and cueing system used in television, filmmaking, video production, and radio broadcast for one-way communication from the director or assistant director to on-air talent or a remote location.
The ALLISS module is a fully rotatable antenna system for high power (typically 500 kW only) shortwave radio broadcasting—it essentially is a self contained shortwave relay station. Most of the world's shortwave relay stations do not use this technology, due to its cost (15m EUR per ALLISS module: Transmitter + Antenna + Automation equipment).
DAB, HD-Radio and ISDB-T were already recommended in this document as Digital Systems A, C and F, respectively. In 2011, the pan-European organisation Community Media Forum Europe [22] has recommended to the European Commission that DRM+ should rather be used for small scale broadcasting (local radio, community radio) than DAB/DAB+.