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Napoleon at the Tuileries; Napoleon Crossing the Alps; Napoleon I as Emperor; Napoleon I at Fontainebleau on March 31, 1814; Napoleon I on His Imperial Throne; Napoleon in Imperial Costume; Napoleon in the Wilderness; Napoleon Leading the Army over the Alps; Napoleon on the Battlefield of Eylau; Napoleon on the Bellerophon; Napoleon Pardoning ...
Engraving of Robert Lefèvre's Portrait of Napoleon in his coronation costume, engraving in the treatise by the Pausanias français. The painting shows Napoleon as emperor, in the costume he wore for his coronation, seated on a circular-backed throne with armrests adorned with ivory balls. In his right hand, he holds the scepter of Charlemagne ...
The painting documents an historical event, when Napoleon, after the fall of Paris, on March 31, 1814, was forced to abdicate on April 4, to his young son, Napoleon II, and finally, and without conditions, on April 6.
The young Napoleon Charles Bonaparte (1802–1807), son of Louis Bonaparte and Hortense de Beauharnais. The sisters of Napoleon. In the replica, the dress of Napoleon's favorite sister is pink. This is the only change in the replica, despite it having been painted from memory.
Napoleon Crossing the Alps (also known as Napoleon at the Saint-Bernard Pass or Bonaparte Crossing the Alps; listed as Le Premier Consul franchissant les Alpes au col du Grand Saint-Bernard) is a series of five oil on canvas equestrian portraits of Napoleon Bonaparte painted by the French artist Jacques-Louis David between 1801 and 1805.
The Emperor Napoleon in His Study at the Tuileries (French: Napoléon dans son cabinet de travail aux Tuileries) is an 1812 painting by Jacques-Louis David. It shows French Emperor Napoleon I in uniform in his study at the Tuileries Palace. Despite the detail, it is unlikely that Napoleon posed for the portrait. [1]
Napoleon I as Emperor, also known as Napoleon I in his Coronation Robes (French: Portrait de l’empereur Napoléon Ier en robe de sacre), is an oil-on-canvas painting by the French artist François Gérard, produced in 1805 under the First French Empire and currently displayed at the Palace of Versailles.
The painting was ordered by the state after Napoleon had become emperor, and it had a clear propaganda purpose. [2] As for eyewitnesses, in General Berthier's campaign report there is no mention about such an event. [2] Bourrienne, Bonaparte's private secretary, wrote only that the general crossed the lazaretto at a fast pace. [2]
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