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Scottish folk music (also Scottish traditional music) is a genre of folk music that uses forms that are identified as part of the Scottish musical tradition. There is evidence that there was a flourishing culture of popular music in Scotland during the late Middle Ages, but the only song with a melody to survive from this period is the "Pleugh ...
"Ye Jacobites by Name" (Roud # 5517) is a traditional Scottish folk song which goes back to the Jacobite risings in Scotland (1688–1746). While the original version simply attacked the Jacobites from a contemporaneous Whig point of view, Robert Burns rewrote it in around 1791 to give a version with a more general, humanist anti-war, but nonetheless anti-Jacobite outlook.
The song survived into the twentieth century in the oral folk tradition, primarily in England, and many popular folk revival artists have recorded versions of the song. In most traditional versions, including the sixteenth century Scottish version entitled Alan-a-Maut , the plant's ill-treatment by humans and its re-emergence as beer to take ...
Scotland is internationally known for its traditional music, often known as Scottish folk music, [1] which remained vibrant throughout the 20th century and into the 21st when many traditional forms worldwide lost popularity to pop music. Traditional Scottish music comprises a variety of different styles such as ballads, reels, jigs, and airs. [2]
The Keel Row" is a traditional Tyneside folk song evoking the life and work of the keelmen of Newcastle upon Tyne. A closely related song was first published in a Scottish collection of the 1770s, but may be considerably older, and it is unclear whether the tune is Scottish or English in origin.
Willie O Winsbury (Child 100, Roud 64) is a traditional English-language folk ballad. The song, of which there are many variants, is a traditional Scottish ballad that dates from at least 1775, and is known under several other names, including "Johnnie Barbour" and "Lord Thomas of Winesberry".
Dainty Davie is a folk song, possibly of Scottish origin, which is still part of the repertoire of Scottish and Irish traditional music.It has a long history and two different tunes, both of which have been used for several texts, the best known of which are by Robert Burns.
The song contains the refrain [5]. I know where I'm going. I know who's going with me. I know who I love. The devil/dear knows who I'll marry. Among traditional singers and "folk revivalists", the term in the fourth line is often pronounced “deil”, an old Scots version of “devil” (as in Robert Burns's “The Deil’s awa' wi' the Exciseman” [6]), of which "dear" is likely a corruption.