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As the access to materials increased, competition to design the most beautiful patterns rose, with an estimate of over 300 different kogin-zashi patterns being created. In the 20th century, the craft of kogin-zashi was streamlined, establishing the three general types that are seen today: nishi-kogin , higashi-kogin , and mishima-kogin . [ 2 ]
Many sashiko patterns were derived from Chinese designs, but just as many were developed by native Japanese embroiderers; for example, the style known as kogin-zashi, which generally consists of diamond-shaped patterns in horizontal rows, is a distinctive variety of sashiko that was developed in Aomori Prefecture.
A studio potter is one who is a modern artist or artisan, who either works alone or in a small group, producing unique items of pottery in small quantities, typically with all stages of manufacture carried out by themselves. [1] Studio pottery includes functional wares such as tableware, cookware and non-functional wares such as sculpture ...
Linthorpe Art Pottery was a British pottery that operated between 1878 and 1890 in Linthorpe, Middlesbrough. [1] It produced art pottery , and is especially known for the early collaboration of the designer Christopher Dresser ; many of the early wares have his impressed signature.
Janet Darnell Leach (15 March 1918 – 12 September 1997), was an American studio potter working in later life at the Leach Pottery in St Ives, Cornwall in England. After studying pottery at Black Mountain, North Carolina under Shoji Hamada, a visiting artisan, she traveled to Japan to work with him. She studied with him for two years and ...
Kosiv painted ceramics are traditional national Hutsul handicrafts, one of the varieties of Ukrainian ceramics.It is known for its pottery products such as various tableware, children's toys, souvenirs, stove tiles, decorative tiles.
Polish Pottery is hand crafted with pride at many small manufacturing companies in Bolesławiec, Poland. All of the pieces are hand painted, using sponge stamp and brushes to paint the art on each piece. All of the patterns are hand-cut by the artists in the sponge and then they use the sponges and brushes to apply the unique pattern to each piece.
Most scholars date satsuma ware's appearance to the late sixteenth [1] or early seventeenth century. [2] In 1597–1598, at the conclusion of Toyotomi Hideyoshi's incursions into Korea, Korean potters, which at the time were highly regarded for their contributions to ceramics and the Korean ceramics industry, were captured and forcefully brought to Japan to kick-start Kyūshū's non-existent ...