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  2. Locked hands style - Wikipedia

    en.wikipedia.org/wiki/Locked_hands_style

    Locked hands style is a technique of chord voicing for the piano. Popularized by the jazz pianist George Shearing, it is a way to implement the "block chord" method of harmony on a keyboard instrument. The locked hands technique requires the pianist to play the melody using both hands in unison. The right hand plays a 4-note chord inversion in ...

  3. Block chord - Wikipedia

    en.wikipedia.org/wiki/Block_chord

    Block chord. A block chord is a chord or voicing built directly below the melody either on the strong beats or to create a four-part harmonized melody line in "locked-hands" [1] rhythmic unison with the melody, as opposed to broken chords. This latter style, known as shearing voicing, was popularized by George Shearing, but originated with Phil ...

  4. Tone cluster - Wikipedia

    en.wikipedia.org/wiki/Tone_cluster

    The last two bars, played with overlapping hands, are a denser cluster. A tone cluster is a musical chord comprising at least three adjacent tones in a scale. Prototypical tone clusters are based on the chromatic scale and are separated by semitones. For instance, three adjacent piano keys (such as C, C ♯, and D) struck simultaneously produce ...

  5. Dominant seventh sharp ninth chord - Wikipedia

    en.wikipedia.org/wiki/Dominant_seventh_sharp...

    5–32 / 7–32. In music, the dominant 7♯9 chord[ 1 ] ("dominant seven sharp nine" or "dominant seven sharp ninth") is a chord built by combining a dominant seventh, which includes a major third above the root, with an augmented second, which is the same pitch, albeit given a different note name, as the minor third degree above the root.

  6. Passing chord - Wikipedia

    en.wikipedia.org/wiki/Passing_chord

    The circle of fifths drawn within the chromatic circle as a star dodecagon. [2] In music, a passing chord is a chord that connects, or passes between, the notes of two diatonic chords. [3] ". Any chord that moves between one diatonic chord and another one nearby may be loosely termed a passing chord. A diatonic passing chord may be inserted ...

  7. Aeolian mode - Wikipedia

    en.wikipedia.org/wiki/Aeolian_mode

    The Aeolian mode is a musical mode or, in modern usage, a diatonic scale also called the natural minor scale. On the piano, using only the white keys, it is the scale that starts with A and continues to the next A only striking white keys. Its ascending interval form consists of a key note, whole step, half step, whole step, whole step, half ...

  8. Piano key frequencies - Wikipedia

    en.wikipedia.org/wiki/Piano_key_frequencies

    Piano key frequencies. This is a list of the fundamental frequencies in hertz (cycles per second) of the keys of a modern 88-key standard or 108-key extended piano in twelve-tone equal temperament, with the 49th key, the fifth A (called A 4 ), tuned to 440 Hz (referred to as A440 ). [ 1][ 2] Every octave is made of twelve steps called semitones.

  9. Royal road progression - Wikipedia

    en.wikipedia.org/wiki/Royal_road_progression

    IV M7 –V 7 –iii 7 –vi chord progression in C. Play ⓘ One potential way to resolve the chord progression using the tonic chord: ii–V 7 –I. Play ⓘ. The Royal Road progression (王道進行, ōdō shinkō), also known as the IV M7 –V 7 –iii 7 –vi progression or koakuma chord progression (小悪魔コード進行, koakuma kōdo shinkō), [1] is a common chord progression within ...