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Sandrone, is represented as a peasant who is crude, clever, and cunning. He is seen as the spokesman of a humble people who are ill-treated, eternally hungry, and always using tricks to make ends meet.
Eduardo De Filippo as Pulcinella, a character from the commedia dell'arte Commedia dell'arte troupe I Gelosi performing, by Hieronymus Francken I, c. 1590. Commedia dell'arte [a] was an early form of professional theatre, originating from Italian theatre, that was popular throughout Europe between the 16th and 18th centuries.
Harlequin wore a very small hat, the mask was sometimes swapped out for a face-painted diamond, and the costume pattern became entirely made up of diamonds with a small bow or collar. [ 2 ] [ 3 ] Brighella wore a servant's suit of rough off-white fabric, trimmed with green on the sides of his pants and down the front of his long shirt.
Brighella, from the 16th century. Brighella (Bergamasque dialect: Brighèla) is a comic, masked character from the Italian theatre style commedia dell'arte.His early costume consisted of loosely fitting, white smock and pants with green trim and was often equipped with a batocio (also batacchio or battacio, depending on region) or slapstick, or else with a wooden sword.
The name Harlequin is taken from that of a mischievous "devil" or "demon" character in popular French Passion Plays.It originates with an Old French term herlequin, hellequin, first attested in the 11th century, by the chronicler Orderic Vitalis, who recounts a story of a monk who was pursued by a troop of demons when wandering on the coast of Normandy, France, at night.
' lovers ') [2] were stock characters within the theatre style known as commedia dell'arte, who appeared in 16th-century Italy. In the plays, everything revolved around the lovers in some regard. [3] These dramatic and posh characters were present within commedia plays for the sole purpose of being in love with one another, and moreover, with ...
Influenced by modern dance, modern mime, Commedia dell'arte and Brecht such groups took to the streets to perform highly political theatre. Peter Schumann, the founder of Bread and Puppet theatre, made particular use of German Carnival masks. [48] Bread and Puppet inspired other practitioners around the world, many of whom used masks in their work.
' Stutterer ') is a dainty [citation needed] character in the commedia dell'arte. [1] He is farsighted [citation needed] and with a minor stutter [1] (hence his name; cf. Spanish tartamudear), he is usually classed as one of the group of old characters who appears in many scenarios as one of the lovers . His social status varies; he is ...