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The Waste Land is a poem by T. S. Eliot, widely regarded as one of the most important English-language poems of the 20th century and a central work of modernist poetry. Published in 1922, the 434-line [ A ] poem first appeared in the United Kingdom in the October issue of Eliot's magazine The Criterion and in the United States in the November ...
Thomas Stearns Eliot OM (26 September 1888 – 4 January 1965) was a poet, essayist and playwright. [1] He was a leading figure in English-language Modernist poetry where he reinvigorated the art through his use of language, writing style, and verse structure.
The book derives its title from the T. S. Eliot 1922 poem The Waste Land, several lines of which are reprinted in the opening pages. In addition, the two main sections of the book ("Jake: Fear in a Handful of Dust" and "Lud: A Heap of Broken Images") are named after lines in the poem.
In 1925, Eliot became a poetry editor at the London publishing firm of Faber & Gwyer, Ltd., [1]: pp.50–51 after a career in banking, and subsequent to the success of his earlier poems, including "The Love Song of J. Alfred Prufrock" (1915), "Gerontion" (1920) and "The Waste Land" (1922). In 1927, Eliot was asked by his employer, Geoffrey ...
T. S. Eliot, The Waste Land: Cover Her Face: P. D. James: John Webster, The Duchess of Malfi: The Cricket on the Hearth: Charles Dickens: John Milton, Il Penseroso: The Curious Incident of the Dog in the Night-Time: Mark Haddon: Arthur Conan Doyle, "The Adventure of Silver Blaze" The Daffodil Sky: H. E. Bates: Alfred, Lord Tennyson, "Maud ...
"Gerontion" is one of the handful of poems that Eliot composed between the end of World War I in 1918 and his work on The Waste Land in 1921. During that time, Eliot was working at Lloyds Bank and editing The Egoist, devoting most of his literary energy to writing review articles for periodicals.
Finally, the story was serialised under the title A Flat in London, and the chosen book title was A Handful of Dust—taken from a line in T. S. Eliot's poem The Waste Land: "I will show you fear in a handful of dust." The line is within the section of the poem entitled "The Burial of the Dead", which depicts a comfortless, lifeless land of ...
From this point on, modernism in English tended towards a poetry of the fragment that rejected the idea that the poet could present a comfortingly coherent view of life. T. S. Eliot's "The Waste Land" is a foundational text of modernism, representing the moment at which Imagism moves into modernism proper. Broken, fragmented and seemingly ...