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A Boy and His Dog is a 1975 American black comedy science fiction film directed by actor L. Q. Jones, from a screenplay by Jones based on the 1969 novella of the same title by fantasy author Harlan Ellison. [2] The film stars Don Johnson, Susanne Benton, Alvy Moore, and Jason Robards. It was independently produced and distributed by Jones ...
A Boy and His Dog is a cycle of narratives by author Harlan Ellison. The cycle tells the story of an amoral boy (Vic) and his telepathic dog (Blood), who work together as a team to survive in the post-apocalyptic world after a nuclear war. The original 1969 novella was adapted into the 1975 film A Boy and His Dog directed by L.Q. Jones. [1]
A Boy and His Dog is a 1946 American Technicolor short drama film directed by LeRoy Prinz.It won an Oscar at the 19th Academy Awards in 1947 for Best Short Subject (Two-Reel). [1] [2]
He was an actor, producer, and uncredited scriptwriter for A Boy and His Dog. He attended DisCon II, the 1974 World Science Fiction Convention , to help promote the film. In 1978, Moore appeared as stage coach station master Swenson in three episodes of How the West Was Won (S2 E6 "Cattle Drive," S2 E7 "Robbers Roost," and S2 E10 "Gold").
Susanne Benton (née Hildur; born February 3, 1948) is a retired Canadian actress known for her film roles as General Dreedle's WAC in Catch-22 (1970) and Quilla June Holmes in A Boy and His Dog (1975). In 1972, she appeared in the Andy Griffith film The Strangers in 7A, credited under her birth name, Susanne Hildur.
Warwickshire Police said three members of the public suffered wounds to their hands and face when they tried to intervene to help the boy and his dog. A total of 10 dogs were seized following the ...
Jones was frequently cast alongside his close friend Strother Martin, most memorably as the posse member and bounty hunter "T. C." in The Wild Bunch. Jones also appeared as recurring characters on such western series as Cheyenne (1955), Gunsmoke (1955), Laramie, Two Faces West (1960–1961), and as ranch hand Andy Belden in The Virginian (1962).
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