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Kim Darby (born Deborah Zerby; July 8, 1947) [1] is an American actress best known for her roles as Mattie Ross in True Grit (1969) and Jenny Meyer in Better Off Dead (1985). Early life and film career
Suite for Cello & Piano, Op. 9; 3 Morceaux, Op. 48; Rythmes délaissés; 3 Esquisses for Cello & Piano; Marie Jaëll. Cello Sonata in A minor (1881, rev. 1886) Leoš Janáček. Pohádka or Fairy Tale (1910, rev. 1923) Presto; Daan Janssens. Wie aus der Ferne, for cello & piano (2022) Betsy Jolas. Mon Ami (1974) Petites musiques de chevet (1989)
Concerto for cello No. 3 for solo cello (1965) Granville Bantock. Sonata in G minor (1924) Rami Bar-Niv. Improvisation; Arnold Bax. Rhapsodic Ballad (1939) [2] Sally Beamish. Gala Water for solo cello (1988) [3] The Wise Maid [3] Conrad Beck. Epigrams (for Paul Sacher) Grant Beglarian. Elegy for Cellist for solo cello (1979) Paul Ben-Haim ...
Bert Hagels in his notes speculates that when Ries composed this sonata he was influenced in some way by Beethoven's Op. 69 cello sonata which was in the same key and was being composed around the same time as Ries was working on this sonata, citing common stylistic elements in the opening movement as evidence. [4]
Zerby may refer to Zerby Derby, a British-Canadian live-action television preschool series; Harold Zerby (1902–1963), American football player; Karen Zerby (born 1946), leader of The Family International, and American religious movement; Kim Darby (born Deborah Zerby in 1947), American actress; Shooting of Douglas Zerby in Long Beach ...
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The A major Violin Sonata is one of César Franck's best-known compositions, and is considered one of the finest sonatas for violin and piano ever written. [1] After thorough historical study based on reliable documents, the Jules Delsart arrangement for cello (the piano part remains the same as in the violin sonata) was published by G. Henle Verlag as an Urtext edition.
The sonata for cello and piano, L. 135, was written in 1915, and is notable for its brevity, most performances not exceeding 11 minutes. It is a staple of the modern cello repertoire and is commonly regarded as one of the finest masterpieces written for the instrument. [2] The work has three movements: