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  2. Fade (audio engineering) - Wikipedia

    en.wikipedia.org/wiki/Fade_(audio_engineering)

    In recording and post production, configuring a send to be pre-fader allows the amount of audio sent to the aux bus to remain unaffected by the individual track fader, thus not disturbing the stability of the feed that is being sent to the musicians. [22]

  3. Aux-send - Wikipedia

    en.wikipedia.org/wiki/Aux-send

    A post-fader output is used in order to prevent channels whose faders are at zero gain from "contaminating" the effects-return loop with hiss and hum. Mixing consoles most commonly have a group of aux-send knobs in each channel strip, or, on small mixers, a single aux-send knob per channel, where one knob corresponds to each aux-send on the board.

  4. Mixing console - Wikipedia

    en.wikipedia.org/wiki/Mixing_console

    Post-fader sends are normally used in this case. Pre-fade auxiliary sends can provide a monitor mix to musicians on stage (which they hear through monitor speakers pointing at the performers or in-ear monitors); this mix is thus independent of the main mix produced by the faders. Program channels on a radio soundboard

  5. Equalization (audio) - Wikipedia

    en.wikipedia.org/wiki/Equalization_(audio)

    Equalization, or simply EQ, in sound recording and reproduction is the process of adjusting the volume of different frequency bands within an audio signal. The circuit or equipment used to achieve this is called an equalizer .

  6. Gain stage - Wikipedia

    en.wikipedia.org/wiki/Gain_stage

    In audio engineering, a gain stage is a point during an audio signal flow that the engineer can make adjustments to the level, [1] such as a fader on a mixing console or in a DAW.

  7. Emphasis (telecommunications) - Wikipedia

    en.wikipedia.org/wiki/Emphasis_(telecommunications)

    In telecommunications, de-emphasis is the complement of pre-emphasis, in the antinoise system called emphasis. De-emphasis is a system process designed to decrease, (within a band of frequencies), the magnitude of some (usually higher) frequencies with respect to the magnitude of other (usually lower) frequencies in order to improve the overall signal-to-noise ratio by minimizing the adverse ...

  8. Audio signal flow - Wikipedia

    en.wikipedia.org/wiki/Audio_signal_flow

    The following example will trace the signal flow of a typical home stereo system while playing back an audio CD. The first component in the signal flow is the CD player, which produces the signal. The output of the CD player is connected to an input on a receiver. In a typical home stereo system, thi

  9. Audio post production - Wikipedia

    en.wikipedia.org/wiki/Audio_post_production

    In filmmaking, audio post-production is the creation and manipulation of audio that is synchronized with a moving picture. This includes, but is often distinguished from production audio, which is the audio recorded as filming occurs. Most other aspects of audio for moving pictures occur during the post-production phase, everything is done ...