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“That song was actually about my actual friends — the friends that was with me during my stay at Kalayaan,” he said. [2] His further comments that he was never close with his bandmates sparked online backlash, to which he responded: “The music is all that matters, have you forgotten about that, and who wrote most of it?
In 1983, "Be My Lady" was interpreted by Pedrito Montaire and became a finalist at the Metropop; this song was his first major big hit when it was recorded by Martin Nievera and was released under Vicor Music. [5] His songs "Be My Lady", "Sana Kahit Minsan", "Mula sa Puso" and "'Till My Heartaches End" became hits in the Philippines. [6]
Minsan Lang Kita Iibigin (International title: One Great Love / transl. I Will Only Love You Once ) is a 2011 Philippine television drama family military series broadcast by ABS-CBN . Directed by Ruel S. Bayani, Darnel Joy R. Villaflor and Avel E. Sunpongco, it stars Coco Martin , Maja Salvador , Andi Eigenmann and Martin del Rosario .
Minsan Lang Kita Iibigin is a 1994 Filipino drama film directed by Chito S. Roño from a story and screenplay written by Ricky Lee. The film stars Maricel Soriano, Gabby Concepcion and Zsa Zsa Padilla. [1] [2] [3] It is one of the films restored by the ABS-CBN Film Restoration Project. [4]
The term "karaoke" is a combined Japanese word from karappo (空っぽ, empty) and okestura (オーケストラ, orchestra), meaning "empty orchestra" or an "orchestra void of vocals," which the Minus-One machine is. [4] Although, the term and the idea of records without vocals can be traced back to the Music Minus One company in the 1950s. [5]
Gaano Kadalas ang Minsan may refer to: "Gaano Kadalas ang Minsan" (song), a song originally sung by Basil Valdez Gaano Kadalas ang Minsan? , a 1982 Filipino film
Trip is the second studio album by Filipino rock band Rivermaya.It has 13 tracks and was released by BMG Records (Pilipinas) Inc. in 1996. [1] It is the first album to introduce Rico Blanco as the band's full-time guitarist [2] following the departure of Perf de Castro the previous year.
The film has been described by film historian Jose Capino as belonging to the "cinema of decolonization" along with Lino Brocka's PX and Augusto Buenaventura's Sa Kuko ng Agila, all explicitly addressing the issue of the American military presence in the Philippines during the Bases era, as the 1970s saw growing political and legal debates over ...