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A Mason's ironstone plate, 1840 - 1860 Maker's mark from the base of a 1920s Mason's 'Watteau' ironstone bowl (full piece pictured below). Note the "orange peel" texture, a defect, in the surface. Ironstone china, ironstone ware or most commonly just ironstone, is a type of vitreous pottery first made in the United Kingdom in
Meissen porcelain or Meissen china was the first European hard-paste porcelain. Early experiments were done in 1708 by Ehrenfried Walther von Tschirnhaus . After his death that October, Johann Friedrich Böttger continued von Tschirnhaus's work and brought this type of porcelain to the market, financed by Augustus the Strong, King of Poland and ...
20th-century Jingdezhen ware, with factory mark: 中国景德镇 ("China Jingdezhen") and MADE IN CHINA in English. A factory mark is a marking affixed by manufacturers on their productions in order to authenticate them. Numerous factory marks are known throughout the ages, and are essential in determining the provenance or dating of productions.
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Buffalo China, Inc., formerly known as Buffalo Pottery, was a company founded in 1901 in Buffalo, New York as a manufacturer of semi-vitreous, and later vitreous, china. [1] Prior to its acquisition by Oneida Ltd. in 1983, [ 2 ] the company was one of the largest manufacturers of commercial chinaware in the United States.
Carl-Johann Gottlob Thieme (born 12 September 1823 in Niederjahna, died 18 March 1888 in Dresden) was a Hausmaler (a free-lance porcelain decorator). Thieme had been running his own porcelain studio and antique shop in the center of Dresden since 1864.
Jingdezhen porcelain (Chinese: 景德镇陶瓷) is Chinese porcelain produced in or near Jingdezhen in Jiangxi province in southern China. Jingdezhen may have produced pottery as early as the sixth century CE, though it is named after the reign name of Emperor Zhenzong , in whose reign it became a major kiln site, around 1004.
A selection of falangcai porcelains Bowl with peacock in falangcai painted enamels, Yongzheng reign. National Palace Museum. The origin of famille rose is not entirely clear. It is believed that this colour palette was introduced to the Imperial court in China by Jesuits, achieved through the use of purple of Cassius, initially on enamels used on metal wares such as cloisonné produced in the ...