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With the 17th century came the popularity of the rapier and a new century of masters, including Salvator Fabris, Ridolfo Capoferro, and Francesco Antonio Marcelli. Unlike the manuals of the previous century, those written in the 17th century were generally restricted to covering only the rapier being used alone or with a companion arm (such as ...
The Art of Dueling: 17th Century Rapier as Taught by Salvatore Fabris. Highland Village, TX: The Chivalry Bookshelf, 2005. ISBN 978-1-891448-23-2; Valentine, Eric (1968). Rapiers: An Illustrated Reference Guide to the Rapiers of the 16th and 17th Centuries, and their Companions. Lionel Leventhal- Arms and Armour Press. Wilson, William E (2002).
The present chronology is a compilation that includes diverse and relatively uneven documents about different families of bladed weapons: swords, dress-swords, sabers, rapiers, foils, machetes, daggers, knives, arrowheads, etc..., with the sword references being the most numerous but not the unique included among the other listed references of the rest of bladed weapons.
The executioner's sword with scabbard (17th - 18th century), kept by the Stadtmuseum Berlin Foundation . [38] Southern Europe. The sword of Saint Galgano (12th century), a medieval sword said to be of San Galgano embedded in a stone, located at the Montesiepi Chapel [it; es; fr] near the Abbey of San Galgano in Siena, Italy. [39]
An early rapier or "side-sword" on exhibit in the Castle of Chillon. The spada da lato (Italian) or side-sword is a type of sword popular in Italy during the Renaissance. It is a continuation of the medieval knightly sword, and the immediate predecessor, or early form, of the rapier of the early modern period. Side-swords were used concurrently ...
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Nicoletto Giganti was a 17th-century Italian rapier fencing master. The frontispiece of his 1606 work [1] names him as “Nicoletto Giganti, Venetian”, although evidence suggests he or his family, moved to Venice from the town of Fossombrone, in Le Marche, Central Italy. [2] Nicoletto Giganti "Scola, overo, teatro"
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