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The cross-section of each mullion or tracery bar was important both for the structural integrity of the window and for the visual effect. As can be seen in Viollet-le-Duc 's diagram (right) there was normally a roll-moulding on both the inside and outside of the windows, which made the mullions appear even more slender than they actually were.
In the Stained Glass Museum at Ely is a design for a three light stained glass window for St Matthew's Church, Surbiton. The centre light shows the Virgin Mary and the Jesus Child. The outer lights shows angels, one holds a spear pointed at the large serpent which appears at the bottom of the three lights. This was executed in around 1920.
East window of St Paul's Church, Birmingham, Birmingham (1791).. Francis Eginton (1737–1805), [1] sometimes spelled Egginton, was an English glass painter. [2] He painted windows for cathedrals, churches, chapels and stately homes, etc., around the country, leaving 50 large works altogether; his work was also exported abroad.
In the United Kingdom the hexafoil is commonly found on churches, but also in barns and private buildings, as well as on cross slabs. [6] The use of the hexafoil as a folk magic symbol was brought from the United Kingdom to Australia by settlers, where six leaf designs with concentric circles have been found in homes and occasionally in public ...
Whall window in Ewhurst Church The works of Veronica Whall provides a list of works carried out by Veronica Whall (1887–1967). Whall predominantly created stained glass works for churches and cathedrals. She started out assisting her father, Christopher Whall, in stained glass commissions, such as that at All Saints in Valescure, France, in 1918-19 and the St Christopher window in Sproughton ...
One of the most prestigious stained glass commissions of the 19th century, the re-glazing of the 13th-century east window of Lincoln Cathedral, Ward and Nixon, 1855. A revival of the art and craft of stained-glass window manufacture took place in early 19th-century Britain, beginning with an armorial window created by Thomas Willement in 1811–12. [1]
In architecture and other decorative arts, diaper is applied as a decorative treatment of a surface with a repeat pattern of squares , rectangles, or lozenges. Diaper was particularly used in medieval stained glass to increase the vividness of a coloured pane, for example the field in a shield of arms. [1]
It is located in the north choir aisle and is made up of thirteen medallions, four at the top, four at the bottom and five forming a cross in the centre, reading bottom to top. It shows scenes from Thomas' life and is one of a dozen such windows in north-west France - another is at Chartres. At top centre is Christ blessing. Lower scenes.
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