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Because it ran 7m 57s, longer than both sides of a standard 78 rpm 10-inch record, it was released on Columbia's Masterwork label (the classical division) as two sides of a 12-inch record. [47] In the 78 era, classical-music and spoken-word items generally were released on the longer 12-inch 78s, about 4–5 minutes per side.
Another notable example of a "16 RPM" record was a 7-inch single of the song Orouburous by drone band Earth. [citation needed] The Prestige Jazz double-album MONO series are 12-inch 16-rpm discs. They can be played with a normal mono or stereo stylus (0.7 to 1.0 mil) stylus without damage. [13] 24 rpm Talking books for the blind in Europe ...
As a result, the 12-inch format was reserved solely for higher-priced classical recordings and Broadway shows. Popular music continued to appear only on 10-inch records. [citation needed] However, by the mid-1950s, the 10-inch LP, like its similarly sized 78 rpm cousin, lost the format war and was discontinued. [39]
However, some very early (c. 1928–1931) radio programs were on sets of 12-inch or even 10-inch (25 cm) 78 rpm discs, and some later (circa 1960–1990) syndicated radio programs were distributed on 12-inch 33 + 1 ⁄ 3 rpm microgroove vinyl discs visually indistinguishable from ordinary records except by their label information.
A twelve-inch Capitol Records gramophone record. The twelve-inch single (often written as 12-inch or 12″) is a type of vinyl (polyvinyl chloride or PVC) gramophone record that has wider groove spacing and shorter playing time with a "single" or a few related sound tracks on each surface, compared to LPs (long play) which have several songs on each side.
Records with one song per side, particularly 7-inch 45 rpm and 10-inch or 12-inch 78 rpm records, are often found with non-consecutive matrix numbers on each side, and the "hit" side or "side one" may not necessarily be the lower number. This indicates that the numbers were probably assigned at the time the songs were recorded.
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