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  2. Ear training - Wikipedia

    en.wikipedia.org/wiki/Ear_training

    The process is similar to twelve-tone ear training, but with many more intervals to distinguish. Aspects of microtonal ear training are covered in Harmonic Experience, by W. A. Mathieu, with sight-singing exercises, such as singing over a drone, to learn to recognize just intonation intervals. There are also software projects underway or ...

  3. Interval recognition - Wikipedia

    en.wikipedia.org/wiki/Interval_recognition

    In addition, there are various solmization systems (including solfeggio, sargam, and numerical sight-singing) that assign specific syllables to different notes of the scale. Among other things, this makes it easier to hear how intervals sound in different contexts, such as starting on different notes of the same scale.

  4. EarMaster - Wikipedia

    en.wikipedia.org/wiki/EarMaster

    While the general workshops are rather general and their lessons focus on most of the aspects of ear training, the jazz workshops focuses exclusively on the particularities of jazz music (e.g. jazz chord, swing rhythms and real book sight-singing). With the customization mode, the user can set up custom exercises for tailored practice.

  5. George Wedge - Wikipedia

    en.wikipedia.org/wiki/George_Wedge

    Advanced ear-training and sight-singing as applied to the study of harmony: a continuation of the practical and coordinated course for schools and private study; Ear training and sight singing; Applied harmony in 2 vol.

  6. Category:Ear training - Wikipedia

    en.wikipedia.org/wiki/Category:Ear_training

    Pages in category "Ear training" The following 11 pages are in this category, out of 11 total. ... Numerical sight-singing; S. Solmization; T. Tonal memory; Tonic sol-fa

  7. Sight-reading - Wikipedia

    en.wikipedia.org/wiki/Sight-reading

    Aural imagery (ear-playing and sight-singing improves sight-reading) Ability to keep the basic pulse, read, and remember rhythm; Awareness and knowledge of the music's structure and theory; Beauchamp identifies five building blocks in the development of piano sight-reading skills: [9] Grand-staff knowledge; Security within the five finger positions

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