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  2. End-stopping - Wikipedia

    en.wikipedia.org/wiki/End-stopping

    An end-stopped line is a feature in poetry in which the syntactic unit (phrase, clause, or sentence) corresponds in length to the line. Its opposite is enjambment , where the sentence runs on into the next line.

  3. Enjambment - Wikipedia

    en.wikipedia.org/wiki/Enjambment

    End-stopping is more frequent in early Shakespeare: as his style developed, the proportion of enjambment in his plays increased. Scholars such as Goswin König and A. C. Bradley have estimated approximate dates of undated works of Shakespeare by studying the frequency of enjambment. Endymion by John Keats, lines 2–4:

  4. Poetic devices - Wikipedia

    en.wikipedia.org/wiki/Poetic_devices

    The occasional end-stopped line may evoke a sense of finale or formality while many end-stops in a row may be used to evoke a jerky cadence. On the contrary, a lack of punctuation allows the reader to interpret the sequence of words in various ways.

  5. List of translations of works by William Shakespeare

    en.wikipedia.org/wiki/List_of_translations_of...

    This is a list of translations of works by William Shakespeare. Each table is arranged alphabetically by the specific work, then by the language of the translation. Translations are then sub-arranged by date of publication (earliest-latest). Where possible, the date of publication given is the date of the first edition by that translator.

  6. List of last words - Wikipedia

    en.wikipedia.org/wiki/List_of_last_words

    "My God, my Father, and my Friend, / Do not forsake me in the end." [11]: 48 — Wentworth Dillon, 4th Earl of Roscommon, Anglo-Irish landlord, Irish peer, and poet (18 January 1685), quoting from his own translation of the "Dies irae" "I have been a most unconscionable time dying, but I beg you to excuse it." [71]: 195 [note 98]

  7. Shakespeare's writing style - Wikipedia

    en.wikipedia.org/wiki/Shakespeare's_writing_style

    In some of Shakespeare's early works, punctuation at the end of the lines strengthens the rhythm. He and other dramatists at the time used this form of blank verse for much of the dialogue between characters to elevate the poetry of drama. [22] To end many scenes in his plays he used a rhyming couplet, thus creating suspense. [23]

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  9. Sonnet 30 - Wikipedia

    en.wikipedia.org/wiki/Sonnet_30

    The second line of Shakespeare's Sonnet 30 provided the source of C. K. Scott Moncrieff's title, Remembrance of Things Past, for his English translation (publ. 1922-1931) of French author Marcel Proust's monumental novel in seven volumes, À la recherche du temps perdu (publ. 1913-1927). [32] It is now generally better known as In Search of ...