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Fruit Bowl on a Table is a c. 1934 still-life oil painting by the French artist Pierre Bonnard which was bought by the city of Strasbourg in 1995 from the heiresses of Claude Roger-Marx. Today this painting is in the Musée d'Art moderne et contemporain .
Rideau, Cruchon et Compotier (English: Curtain, Jug and Fruit Bowl) is an oil on canvas painting created c. 1893 to 1894 by French artist Paul Cézanne. It is a formal still life composition that displays Cézanne's exploration of form, balance and symmetry in objects.
This cubist still life depicts apples, pears, a lemon and perhaps a banana in and around a fruit bowl on a table. The still life became a usual theme for cubist painters. In this painting, where the influence of Cézanne and Picasso is apparent, the fruits and the bowl expand beyond the confines of a singular viewpoint, and the traditional ...
Still Life - Balsam Apples and Vegetables; Still Life (Braque, 1911) Still Life of a Lamb's Head and Flanks; Still Life of Fruit and Dead Fowl; Still Life of Fruit, Dead Birds, and a Monkey; Still Life with a Chinese Porcelain Jar; Still Life with a Guitar; Still Life with a Parrot; Still Life with a Peacock; Still Life with a Poem; Still Life ...
Metropolitan Museum of Art, New York The Fruit Bowl is an early 20th century drawing by Juan Gris . The work was produced as part of a collaboration between Gris and Pierre Reverdy to commission a book filled with lithographs made from the former's paintings.
The catalog included detailed discussions of 80 paintings from various collection holders, that together give an overview of the best genres in Dutch still-life paintings, namely kitchen piece (keukenstuk), fruit still-life, (fruitstuk), floral still-life (blommetje), breakfast piece (ontbijtje), vanitas, hunting piece (jaagstuk), and show ...
The painting is dominated by a depiction of a stemmed silver fruit bowl containing pears. A deliberately created optical illusion of the human face occupies the same space as the dish; the fruits suggest wavy hair, the dish's bowl becomes the forehead, the stem of the dish serves as the bridge of the nose, and the dish's foot doubles as the chin.
Still Life with Bowl: 1879-80 15.7 x 20 cm Private collection FWN 766 Still Life in Blue with Lemon : 1879-80 18.5 x 29.5 cm Cincinnati Art Museum: V 219 R 428 FWN 767 Still Life with Carafe, Milk Can, Bowl, and Orange: 1879-80 26 x 35 cm Dallas Museum of Art: V 340 R 430 FWN 768 Milk-Jug and Lemon: 1879-80 22.2 x 44 cm Rosengart Collection ...
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