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Tuning pins are used on instruments where there is no space for a knob on each string, such as pianos and harps. Turning the peg or pin tightens or loosens the string. Some tuning pegs and pins are tapered, some threaded. Some tuning pegs are ornamented with shell, metal, or plastic inlays, beads (pips) or rings.
Hybrid of banjo and ukulele. Same tuning as a ukulele of the same scale. Banjolin: 4 strings 4 courses. G 3 D 4 A 4 E 5: Mandolin-banjo, Melody Banjo, banjoline, bandoline US Hybrid of mandolin and banjo but with only one string per course Banjo, Long Neck 5 strings 5 courses. E 4 B 2 E 3 G ♯ 3 B 3 "Pete Seeger" Banjo US (commissioned by Pete ...
Bass tuners generally feature larger knobs than guitar tuners as well; often these are distinctively shaped, and known as "elephant ears". Gear ratios of 20:1 are used often. Exposed gears are much more common in premium bass guitars than in six-string non-bass instruments. The machine heads on a classical guitar.
Classical guitar headstock. A headstock or peghead is part of a guitar or similar stringed instruments such as a lute, mandolin, banjo, ukulele and others of the lute lineage. . The main function of a headstock is to house the tuning pegs or other mechanism that holds the strings at the "head" of the instrument; it corresponds to a pegbox in the violin fami
Grover Musical Products, Inc., is an Ohio based American company that designs, imports, and distributes stringed instrument tuners (machine heads) for guitars, bass guitars, banjos, mandolins, dulcimers, ukuleles, and other instruments. Grover also imports and distributes tuning pegs for violins and bridges for five-string and tenor banjos.
The most commonly used tuning is A-E-A-E. Likewise banjo players in this tradition use many tunings to play melody in different keys. A common alternative banjo tuning for playing in D is A-D-A-D-E. Many Folk guitar players also used different tunings from standard, such as D-A-D-G-A-D, which is very popular for Irish music.
The Beacon Banjo Company of Woodstock, New York was founded in January 1964 by banjo player Bill Keith and his college friend Dan Bump to manufacture and market their new D-tuners, now commonly called Keith tuners. With these tuners, banjo players can change pitches accurately while playing.
By 1961 the original banjo-style tuners (with the pegs pointing backwards) were replaced by larger open gear tuners with the shaft and large flat buttons projecting from the side of the peghead at a 90-degree angle, which required pieces of wood (ears) to be glued to each side to make a wider peghead to accommodate a larger gear footptint and ...
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