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Vacuum tubes used in electric guitar amplifiers. Particularly the ones that played important role in shaping modern image of tube sound , as well as notable former and current manufacturers of those tubes.
The tube amps in the series feature hand-wired eyelet board construction and are also becoming sought-after collectors items, due to the design and build quality. The range included one small tube-driven bass amp, the Bassman 20. There were also some solid-state amplifiers using the II moniker, such as the Harvard Reverb II. Other solid-state ...
In the early 2000s, the company worked with Bruce Egnater of Egnater Amplification to create the MTS (Modular Tube System) series of guitar amplifiers. These involve a single amp head consisting of the power amp and part of a preamp, and slots in the head (one for the RM20 head and combo, two for the RM50 head and combo and RM22 head, and 3 for the RM100 head and RM100C combo, and 12 for the ...
A valve amplifier or tube amplifier is a type of electronic amplifier that uses vacuum tubes to increase the amplitude or power of a signal. Low to medium power valve amplifiers for frequencies below the microwaves were largely replaced by solid state amplifiers in the 1960s and 1970s.
The tube was used in a number of American guitar amplifiers; the Gibson Guitar Corporation, for instance, used the 7199 in 1961's Falcon for the reverb circuit. [3] Ampeg also used the 7199 extensively. [1] Notable is the Dynaco ST-70 stereo amplifier introduced in 1959 which used a 7199 tube in the driver section of each channel.
Mesa-Boogie Mark IV, a guitar combo amplifier. A guitar amplifier (or amp) is an electronic device or system that strengthens the electrical signal from a pickup on an electric guitar, bass guitar, or acoustic guitar so that it can produce sound through one or more loudspeakers, which are typically housed in a wooden cabinet.
1959 Fender Harvard 5F10. The Fender Harvard is a vacuum tube (valve) guitar amplifier made by Fender from 1955 to 1963. The Harvard appeared only in a tweed covered "narrow-panel" cabinet, but in two very different circuit designs, namely 5F10 (1955–61) and 6G10 (1962–63).
The Specimen Products line of tube-driven amplifiers began with the Petimor model, a 10-watt birchwood based amplifier designed to accommodate classical guitar. Also available is the Stereo Amp, which is essentially two Petimors in one case, angled at 25 degrees apart. After a variety of smaller-scale experiments, Specimen released the Horn Amp ...
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