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White-ground vases were produced, for example, in Ionia, Laconia and on the Cycladic islands, but only in Athens did it develop into a veritable separate style beside black-figure and red-figure vase painting. For that reason, the term "white-ground pottery" or "white-ground vase painting" is usually used in reference to the Attic material only.
The vase was lent to Wedgwood by William Cavendish-Bentinck, 3rd Duke of Portland from 1786. Wedgwood devoted four years of painstaking attempts at duplicating the vase in black and white jasperware, which was finally completed in 1790, the figures perhaps modelled by William Hackwood.
Next to her stands a male figure, naked and winged. Both figures wear wreaths made of leaves and their hair preserve traces of golden paint. The features of their faces are stylized. The vase has a white ground and maintains in several parts the traces of bluish, greenish and reddish paint. It dates to the 4th century BC.
Qingbai ware (Chinese: 青白; pinyin: qīngbái; lit. 'green-white') is a type of Chinese porcelain produced under the Song dynasty and Yuan dynasty, defined by the ceramic glaze used. [1] Qingbai ware is white with a blue-greenish tint, and is also referred to as Yingqing ("shadow green", although this name appears only to date from the 18th ...
Moon jar is a type of traditional Korean white porcelain which was made during the Joseon dynasty (1392–1910). [1] The Joseon white porcelain was adopted as imperial ware in the fifteenth century. Moon jars first appeared in the late seventeenth century and remained popular until the mid-eighteenth century.
Vases generally share a similar shape. The foot or the base may be bulbous, flat, carinate, [1] or another shape. The body forms the main portion of the piece. Some vases have a shoulder, where the body curves inward, a neck, which gives height, and a lip, where the vase flares back out at the top. Some vases are also given handles.
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