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La Scapigliata (Italian for 'The Lady with Dishevelled Hair') [n 1] is an unfinished painting generally attributed to the Italian High Renaissance artist Leonardo da Vinci, and dated c. 1506–1508.
Dresden Venus (c. 1510–11), traditionally attributed to Giorgione but for which Titian completed at least the landscape.. The Venus of Urbino (also known as Reclining Venus) [1] is an oil painting by Italian painter Titian, depicting a nude young woman, traditionally identified with the goddess Venus, reclining on a couch or bed in the sumptuous surroundings of a Renaissance palace.
The facial design, wispy hair and dimpled hands are characteristic of other paintings she created during her time in Florence. [7] The figure was painted as nude; the nudity was embarrassing to the commissioner's great-nephew Leonardo Buonarroti, and he commissioned Baldassare Franceschini , known as el Volterrano , to paint swirling veils and ...
Zwanger, Meryl, Women and Art in the Renaissance, in: Sister, Columbia University 1995/6. Judith Brown. Gender and Society in Renaissance Italy (Women And Men In History). 1998; Letizia Panizza, Women in Italian Renaissance Culture and Society. Oxford, 2000. ISBN 1-900755-09-2. Mary Rogers, Paola Tinagli. Women in Italy, 1350—1650 ...
The Lady with an Ermine [n 1] is a portrait painting by the Italian Renaissance artist Leonardo da Vinci. Dated to c. 1489–1491 , the work is painted in oils on a panel of walnut wood . Its subject is Cecilia Gallerani , a mistress of Ludovico Sforza ("Il Moro"), Duke of Milan ; Leonardo was painter to the Sforza court in Milan at the time of ...
Laura, sometimes known as Portrait of a Young Bride, is a 1506 oil on canvas painting by the Italian Renaissance master Giorgione.It is the only known painting of the author that was signed and dated by him.
Salome, or possibly Judith with the Head of Holofernes, is an oil painting which is an early work by the Venetian painter of the late Renaissance, Titian. It is usually thought to represent Salome with the head of John the Baptist .
Many of Gentileschi's paintings feature women from myths, allegories, and the Bible, including victims, suicides, and warriors. [6] Some of her best known subjects are Susanna and the Elders (particularly the 1610 version in Pommersfelden ), Judith Slaying Holofernes (her 1614–1620 version is in the Uffizi gallery), and Judith and Her ...
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