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In music theory, an eleventh chord is a chord that contains the tertian extension of the eleventh. Typically found in jazz, an eleventh chord also usually includes the seventh and ninth, and elements of the basic triad structure. Variants include the dominant eleventh (C 11, C–E–G–B â™ –D–F), minor eleventh (Cm 11, C–E â™ –G–B ...
The dominant 7 ♯ 11 or Lydian dominant (C 7 ♯ 11) comprises the notes: . r, 3, (5), ♠7, (9), ♯ 11, (13) (Note that in jazz lead sheet notation, upper extensions (intervals beyond the 7th) aren't named unless they are altered; alternatively, when including the 9th and 13th this chord could be called a C 13 ♯ 11.)
As such, a jazz guitarist or jazz piano player might "voice" a printed G 7 chord with the notes B–E–F–A, which would be the third, sixth (thirteenth), flat seventh, and ninth of the chord. Jazz chord-playing musicians may also add altered chord tones (e.g., ♯ 11) and added tones.
In practice, especially in jazz, certain notes can be omitted without changing the quality of the chord. In a jazz ensemble with a bass player, the chord-playing instrumentalists (guitar, organ, piano, etc.) can omit the root, as the bass player typically plays it. Ninth, eleventh, and thirteenth chords are known as extended tertian chords.
Approach chord; Chord names and symbols (popular music) Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord; Extended chord; Jazz chord; Lead sheet; List of musical intervals; List of pitch intervals; List of musical scales and modes; List of set classes; Ninth chord; Open chord; Passing chord; Primary triad; Quartal chord ...
Jazz guitarists cited as using chord voicings using quartal harmony include Johnny Smith, Tal Farlow, Chuck Wayne, Barney Kessel, Joe Pass, Jimmy Raney, Wes Montgomery—however, all in a traditional manner, as major 9th, 13th and minor 11th chords [20] (an octave and fourth equals an 11th). Jazz guitarists cited as using modern quartal harmony ...
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