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This is a list of kigo, which are words or phrases that are associated with a particular season in Japanese poetry.They provide an economy of expression that is especially valuable in the very short haiku, as well as the longer linked-verse forms renku and renga, to indicate the season referenced in the poem or stanza.
A saijiki (歳時記, lit. "year-time chronicle") is a list of Japanese kigo (seasonal terms) used in haiku and related forms of poetry. An entry in a saijiki usually includes a description of the kigo itself, as well as a list of similar or related words, and some examples of haiku that include that kigo. [1]
A kigo (季語, 'season word') is a word or phrase associated with a particular season, used in traditional forms of Japanese poetry. Kigo are used in the collaborative linked-verse forms renga and renku, as well as in haiku, to indicate the season referred to in the stanza. They are valuable in providing economy of expression.
English translation RGB Hex triplet Name Romanized English translation RGB Hex triplet; 鴇羽色: Tokiha-iro: Ibis wing color 245,143,132 #F58F84 桜鼠: Sakuranezumi: Cherry blossom mouse grey 172,129,118 #AC8181 長春色: Chōshun-iro: Long spring (season) color 185,87,84 #B95754 唐紅/韓紅: Karakurenai: Foreign crimson [a] 201,31,55 # ...
Japanese wordplay relies on the nuances of the Japanese language and Japanese script for humorous effect, functioning somewhat like a cross between a pun and a spoonerism. Double entendres have a rich history in Japanese entertainment (such as in kakekotoba ) [ 1 ] due to the language's large number of homographs (different meanings for a given ...
The Japanese names for the modern Gregorian months literally translate to "first month", "second month", and so on. The corresponding number is combined with the suffix 月 ( -gatsu , "month"). The table below uses traditional numerals, but the use of Western numerals ( 1月 , 2月 , 3月 etc.) is common.
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Kireji (切れ字, lit. "cutting word") are a special category of words used in certain types of Japanese traditional poetry. It is regarded as a requirement in traditional haiku, as well as in the hokku, or opening verse, of both classical renga and its derivative renku (haikai no renga).