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The Acropolis of Athens (Ancient Greek: ἡ Ἀκρόπολις τῶν Ἀθηνῶν, romanized: hē Akropolis tōn Athēnōn; Modern Greek: Ακρόπολη Αθηνών, romanized: Akrópoli Athinón) is an ancient citadel located on a rocky outcrop above the city of Athens, Greece, and contains the remains of several ancient buildings of great architectural and historical significance ...
The temple was excavated in 1889–1896 by Francis Penrose of the British School in Athens (who also played a leading role in the restoration of the Parthenon), in 1922 by the German archaeologist Gabriel Welter and in the 1960s by Greek archaeologists led by Ioannes Travlos. The temple, along with the surrounding ruins of other ancient ...
At the 2004 Summer Olympics in Athens the Colosseum was replaced by a depiction of the Panathinaiko Stadium; The exterior of the Vancouver Public Library in British Columbia resembles the current state of the Colosseum. It was designed by Moshe Safdie. The Los Angeles Memorial Coliseum entrance was inspired by the Colosseum.
The Acropolis Museum (Greek: Μουσείο Ακρόπολης, Mouseio Akropolis) is an archaeological museum focused on the findings of the archaeological site of the Acropolis of Athens. The museum was built to house every artifact found on the rock and on the surrounding slopes, from the Greek Bronze Age to Roman and Byzantine Greece.
The Cave Sanctuaries of the Acropolis of Athens are the natural fissures in the rock of the Acropolis hill that were used as sites of worship for deities of the Panhellenic pantheon in antiquity. Traditionally a sharp distinction has been drawn between the state religion practised on the summit of the Acropolis and the cult practice of the ...
[19] [20] Although new temples to Greek deities still continued to be constructed, e.g. the Tychaion at Selge [21] [22] they tend to follow the canonical forms of the developing Roman imperial style of architecture [23] or to maintain local non-Greek idiosyncrasies, like the temples in Petra [24] or Palmyra. [25]
Greek mythology has changed over time to accommodate the evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued.
The prototype odeon was the Odeon of Pericles (Odeon of Athens), a mainly wooden building by the southern slope of the Acropolis of Athens. It was described by Plutarch as "many-seated and many-columned" and may have been square, though excavations have also suggested a different shape, 208 ft × 62 ft (63 m × 19 m).
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