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The character's name has been bestowed upon things, especially in the Great Lakes region of the United States. A ship bearing the name Minnehaha wrecked off the western shore of Lake Michigan in 1893, only 38 years after Longfellow's poem was published. [4] A Minnehaha Bay adjoins the small town of Sturgeon Falls in Ontario, Canada.
According to Christine Nelson, curator of literary and historical manuscripts at the Morgan, "[t]he image evokes Saint-Exupéry's own experience of awakening in an isolated, mysterious place. You can almost imagine him wandering without much food and water and conjuring up the character of the Little Prince."
Shingebis repels him by burning firewood, and then in a wrestling match. A third brother, Shawondasee, the South Wind, falls in love with a dandelion, mistaking it for a golden-haired maiden. In Chapter III, in "unremembered ages", a woman named Nokomis falls from the Moon. Nokomis gives birth to Wenonah, who grows to be a beautiful young woman.
An incidental character called Ruthven appears in later issues of Neil Gaiman's The Sandman comic (1989–); this Ruthven is a man with a rabbit's head, as well as prominent "vampire" fangs. Lord Ruthven appears as a main character in Nancy Garden's young adult book Prisoner of Vampires (1985). In this story, Ruthven uses the name "Radu" and is ...
The following is an incomplete list of fictional characters featured in the books and stories of P. G. Wodehouse, by series, in alphabetical order by series name. Due to overlap between the various classifications of Wodehouse's work, some characters appear more than once.
A stock character is a dramatic or literary character representing a generic type in a conventional, simplified manner and recurring in many fictional works. [1] The following list labels some of these stereotypes and provides examples. Some character archetypes, the more universal foundations of fictional characters, are also listed.
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The Laughing Man" is a short story by J. D. Salinger, published originally in The New Yorker on March 19, 1949; and also in Salinger's short story collection Nine Stories. [1] It largely takes the structure of a story within a story and is thematically occupied with the relationship between narrative and narrator, and the end of youth.