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Other rationalizations include references to so-called free energy and zero-point energy, without explaining how these energies are liberated. Others claim that their motors could possibly convert heat energy from the environment to mechanical motion (perpetual motion machine of the second kind).
Schematic figure of a Brownian ratchet. In the philosophy of thermal and statistical physics, the Brownian ratchet or Feynman–Smoluchowski ratchet is an apparent perpetual motion machine of the second kind (converting thermal energy into mechanical work), first analysed in 1912 as a thought experiment by Polish physicist Marian Smoluchowski. [1]
The term "Brownian motor" was originally invented by Swiss theoretical physicist Peter Hänggi in 1995. [3] The Brownian motor, like the phenomenon of Brownian motion that underpinned its underlying theory, was also named after 19th century Scottish botanist Robert Brown, who, while looking through a microscope at pollen of the plant Clarkia pulchella immersed in water, famously described the ...
This motion is critical to the use of film in a movie camera or movie projector. This is in contrast to a continuous mechanism, whereby the film is constantly in motion and the image is held steady by optical or electronic methods. The reason the intermittent mechanism "works" for the viewer is because of a phenomenon called persistence of vision.
High-speed video cameras are used to augment other industrial technologies such as x-ray radiography. When used with the proper phosphor screen which converts x-rays into visible light, high-speed cameras can be used to capture high-speed x-ray videos of events inside mechanical devices and biological specimens.
Early designs of perpetual motion machines were done by Indian mathematician–astronomer Bhaskara II, who described a wheel (Bhāskara's wheel) that he claimed would run forever. [2] A drawing of a perpetual motion machine appeared in the sketchbook of Villard de Honnecourt, a 13th-century French master mason and architect.
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This creates a slowed-down effect in the film, which can put emphasis on or add fluidity to a scene. On the other hand, fast motion is the opposite of slow motion, filming at a lower frame rate and then playing the film back at a normal speed. This creates a sped-up effect which can help to emphasize passage of time, or create a sense of urgency.