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In addition, rumba flamenca has a particular guitar strumming pattern absent in other flamenco styles. [6] The rhythm is a modified tresillo rhythm with eight beats grouped into a repeating pattern of 3+3+2. [5] Unlike traditional flamenco, rumbas may be played in any key, major, minor and modal. [5] At approx. 100-120bpm, the tempo of rumba ...
Flamenco guitarists are known as tocaores (from an Andalusian pronunciation of tocadores, "players") and the flamenco guitar technique is known as toque. Flamenco players tend to play the guitar between the sound hole and the bridge, but as close as possible to the bridge, to produce a harsher, rasping sound quality.
Rumba instrumentation has varied historically depending on the style and the availability of the instruments. The core instruments of any rumba ensemble are the claves, two hard wooden sticks that are struck against each other, and the conga drums: quinto (lead drum, highest-pitched), tres dos (middle-pitched), and tumba or salidor (lowest-pitched).
Tambour (also called tambor, tamboro or tambora, written in music as tamb.), is a technique in Flamenco guitar and classical guitar that emulates the sound of a heartbeat. The player uses a flat part of the hand, usually the side of the outstretched right thumb, or also the edge of the palm below the little finger, and sounds the strings by striking them rapidly just inside the bridge of the ...
Flamenco Guitar Step by Step. Volume 2 - Techniques; Flamenco Guitar Step by Step. Volume 3 - Techniques; Flamenco Guitar Step by Step - La Soleá. Volume 4; Flamenco Guitar Step by Step - La Soleá. Volume 5; Flamenco Guitar Step by Step - La Soleá - Acompañamiento al cante . Volume 6; Flamenco Guitar Step by Step - La Alegría. Volume 7 ...
Modern guitarists often play soleá using other chord positions or even changing the tuning of the guitar to experiment with new sounds, especially in solo instrumental pieces. The typical flamenco progression iv, III, II, I (an altered Phrygian cadence) is heard several times during the development of the song.
Los Chichos became pioneers of the rumba flamenca music movement. They were signed by Philips Records and, at the end of 1973, began releasing their first singles. There was a remix by Joseph Torregrossa, who helped create the group's unique sound: rumba-rock featuring a powerful bass line, percussion and an orchestra with a horn section.
In Spain, the term rumba was introduced in the early 20th century as rumba flamenca, one of the palos (styles) of flamenco. Particularly, it is considered one of the cantes de ida y vuelta , since flamenco itself might have had an influence on Cuban rumba, particularly on its vocal style.
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