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A rose by any other name would smell as sweet" is a popular adage from William Shakespeare's play Romeo and Juliet, in which Juliet seems to argue that it does not matter that Romeo is from her family's rival house of Montague. The reference is used to state that the names of things do not affect what they really are.
three times. This triple curse, directed at the Montague and Capulet houses, almost literally comes true. Due to an unfortunate coincidence – a plague quarantine imposed by the city guards – Friar John is unable to deliver a letter informing the exiled Romeo that Juliet is not dead but asleep. As a result, both Romeo and Juliet perish.
Angie (Kierston Wareing), a young woman frustrated after being fired from her thirtieth dead-end job, decides to set up a recruitment agency of her own, running it from her kitchen with her friend and flatmate Rose (Juliet Ellis). Angie is able to build a successful business, while also dealing with a neglected son who gets in trouble at school ...
In Modern English, the word "lines" does not carry the double meaning of the Early Modern English, when the line–loin merger was present; both lines and loins were pronounced as . [9] Thus, Modern English audiences miss the pun. Another example is the pronunciation of "hour", as in As You Like It: And so from hour to hour we ripe and ripe.
Actor Christopher Walken performing a monologue in the 1984 stage play Hurlyburly. In theatre, a monologue (from Greek: μονόλογος, from μόνος mónos, "alone, solitary" and λόγος lógos, "speech") is a speech presented by a single character, most often to express their thoughts aloud, though sometimes also to directly address another character or the audience.
Not I takes place in a pitch-black space illuminated only by a single beam of light. This spotlight fixes on an actress's mouth about eight feet above the stage, [1] everything else being blacked out and, in early performances, illuminates the shadowy figure of the Auditor who makes four increasingly ineffectual movements "of helpless compassion" during brief breaks in the monologue where ...
Three sonnets are found in Romeo and Juliet: The prologue to the play ("Two households, both alike in dignity…"), the prologue to the second act ("Now old desire doth in his death-bed lie…"), and set in the form of dialogue at the moment when Romeo and Juliet meet:
Juliet Gilkes Romero is a British writer for stage and screen currently serving as Writer in Residence at the National Theatre (2022/2023) within the New Works Department. [1]