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Holograph manuscript of Gray's "Stanzas Wrote in a Country Church-Yard". The poem most likely originated in the poetry that Gray composed in 1742. William Mason, in Memoirs, discussed his friend Gray and the origins of Elegy: "I am inclined to believe that the Elegy in a Country Church-yard was begun, if not concluded, at this time [August 1742] also: Though I am aware that as it stands at ...
The "Marienbad Elegy" is a poem by Johann Wolfgang von Goethe. It is named after the spa town of Marienbad (now Mariánské Lázně) where Goethe, 72-years-old, spent the summer of 1821. There he fell in love with the 17-year-old Ulrike von Levetzow. Goethe returned to Marienbad in the summer of 1823 to celebrate his birthday.
The pastoral elegy is a poem about both death and idyllic rural life. Often, the pastoral elegy features shepherds. The genre is actually a subgroup of pastoral poetry, as the elegy takes the pastoral elements and relates them to expressing grief at a loss. This form of poetry has several key features, including the invocation of the Muse ...
His poetry achieves a sense of cohesive structure and beauty through the internal patterns of sound, diction, specific word choice, and effect of association. [50] The poem uses many of the literary techniques associated with the pastoral elegy, a meditative lyric genre derived from the poetic tradition of Greek and Roman antiquity.
An elegy is a poem of serious reflection, and in English literature usually a lament for the dead. However, according to The Oxford Handbook of the Elegy, "for all of its pervasiveness ... the 'elegy' remains remarkably ill defined: sometimes used as a catch-all to denominate texts of a somber or pessimistic tone, sometimes as a marker for textual monumentalizing, and sometimes strictly as a ...
Adonais: An Elegy on the Death of John Keats, Author of Endymion, Hyperion, etc. (/ ˌ æ d oʊ ˈ n eɪ. ɪ s / ) is a pastoral elegy written by Percy Bysshe Shelley for John Keats in 1821, and widely regarded as one of Shelley's best and best-known works. [ 1 ]
Crossing the Bar" is an 1889 elegiac poem by Alfred, Lord Tennyson. The narrator uses an extended metaphor to compare death with crossing the " sandbar " between the river of life, with its outgoing "flood", and the ocean that lies beyond death , the "boundless deep", to which we return.
When Southey wished to print a revised version of the poem for a work on Chatterton, Coleridge wrote: [3] on a life and death so full of heart-going realities as poor Chatterton's, to find such shadowy nobodies as cherub-winged Death, Trees of Hope, bare-bosomed Affection and simpering Peace, makes one's blood circulate like ipecacuanha. But it ...