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The Dam Busters is the theme for the 1955 British war film The Dam Busters. [1] The musical composition, by Eric Coates, has become synonymous with both the film and the real Operation Chastise. [2] The Dam Busters March remains a very popular accompaniment to flypasts in the UK.
The Dam Busters is a 1955 British epic docudrama war film starring Richard Todd and Michael Redgrave, that was directed by Michael Anderson.Adapted by R. C. Sherriff from the books The Dam Busters (1951) by Paul Brickhill and Enemy Coast Ahead (1946) by Guy Gibson, the film depicts the true story of Operation Chastise when in 1943 the RAF's 617 Squadron attacked the Möhne, Eder, and Sorpe ...
The Dam Busters, a 1984 video game loosely based on Operation Chastise "Dambusters", a 2011 episode of Ice Pilots NWT Season 3 about recreating Operation Chastise; VFA-195 (U.S. Navy), a United States Navy fighter squadron; A name for people who work in dam removal; One of the 52 games in Action 52; Dambuster Studios, a game development company
"Be Good to Me" is a song recorded by American singer Ashley Tisdale, released in the United States on December 26, 2006 by Warner Bros. Records as the lead single from her debut studio album, Headstrong (2007).
"Just Be Good to Me" is a song by the S.O.S. Band, written and produced by Jimmy Jam and Terry Lewis for their fourth studio album, On the Rise (1983). [3] " Just Be Good to Me" was released as the lead single from On the Rise in March 1983, by Tabu Records .
"Better Be Good to Me" is a song written by Mike Chapman and Holly Knight, recorded by singer Tina Turner for her solo studio album Private Dancer (1984) and released as a single in early September 1984. The song was originally recorded and released in 1981 by Spider, a band from New York City that featu
The same year, Professor Green and Lily Allen used the song as a basis for their track 'Just Be Good to Green'. [18] In 2020, Mixmag included 'Dub Be Good to Me' in their list of "The Best Basslines in Dance Music", writing, "As the title suggests, the track is a hefty whomp of dub, powered by a deep, booming bassline that grumbles from start ...
The song is written from the viewpoint of a 9-year-old boy who is constantly being told to be good, but prefers to daydream rather than concentrate in class or play sports. Johnny feels like he understands some of his instructions, but also that he is completely misunderstood by the adult world. [ 3 ]