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"Love Me Forever" is a popular song by the Four Esquires. Released in the United States by independent record label Paris Records (cat. no. 509), it features orchestral backing by Sid Bass with a female session vocalist and peaked at #25 on the Billboard Hot 100 in 1957. [ 1 ]
Love Me Forever may refer to: Love Me Forever, a 1935 American drama film "Love Me Forever" (song), a 1957 song by the Four Esquires; Love Me Forever (Motörhead), a 1991 song by the British band Motörhead on their album 1916; Love Me Forever, a 1963 album by Wanda Jackson "Love Me Forever", a song by Lil Yachty from the album Lil Boat 2
Love Me Forever (also released as On Wings of Song) is a 1935 American drama film directed by Victor Schertzinger. [2] The film was nominated for an Academy Award for Best Sound Recording ( John P. Livadary ).
Although songs like the ballad "Love Me Forever" and "Angel City" (which includes a saxophone) were stylistic departures for the band, the album still contained Motörhead's ear-splitting brand of rock 'n' roll, including "I'm So Bad (Baby I Don't Care)" and "R.A.M.O.N.E.S", a tribute to punk band the Ramones, by whom it was covered.
"Please Love Me Forever" is a song written by John Malone and Ollie Blanchard. [1] The song was originally released by Tommy Edwards in 1958.
The first, "Love Me Forever", featured orchestral backing by Sid Bass with vocal enhancement from a female session vocalist, and peaked at No. 25 on the Billboard Hot 100 in 1957. [2] It also reached No. 23 on the UK Singles Chart. [3] In the US, Eydie Gormé's cover charted higher, whilst in the UK it was outsold by Marion Ryan's version. [1]
"Sunday Kind of Love / A Lovely Way to Spend an Evening" Cameo 233 – 1961 "Please Love Me Forever / Canadian Sunset" Valmor 007 12 1961 "Make Me Smile Again / Sugar Cake" Valmor 009 – 1961 "One Love / I Only Want You" Valmor 011 – 1962 "Believe Me / Double Trouble" Philips 40143 – 1962 "Please Tell Me / Sugar Cake" Valmor 016 – 1963
Pinkshift's debut album, Love Me Forever, was released on October 21, 2022 via Hopeless Records. The record received positive reviews from critics, who noted how the album was "sharp, skilful , and bristling with infectious energy". [12]