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Anne-Louis Girodet de Roussy-Trioson, Ossian receiving the Ghosts of the French Heroes (1800–02), Musée national de Malmaison et Bois-Préau, Château de Malmaison. In the visual arts, Romanticism first showed itself in landscape painting, where from as early as the 1760s British artists began to turn to wilder landscapes and storms, and Gothic architecture, even if they had to make do with ...
Romanticism (also known as the Romantic movement or Romantic era) was an artistic and intellectual movement that originated in Europe towards the end of the 18th century. The purpose of the movement was to advocate for the importance of subjectivity , imagination , and appreciation of nature in society and culture in response to the Age of ...
German Romanticism (German: Deutsche Romantik) was the dominant intellectual movement of German-speaking countries in the late 18th and early 19th centuries, influencing philosophy, aesthetics, literature, and criticism.
Later romantic painting retained the romantic content, but was generally more precise and realistic in style, adapting to the demands of the French Academy. Important figures in later French romantic painting included the Swiss-born Charles Gleyre (1806–1874), who specialized in mythological and orientalist scenes.
Wanderer above the Sea of Fog [a] is a painting by German Romanticist artist Caspar David Friedrich made in 1818. [2] It depicts a man standing upon a rocky precipice with his back to the viewer; he is gazing out on a landscape covered in a thick sea of fog through which other ridges, trees, and mountains pierce, which stretches out into the distance indefinitely.
Portrait of Caspar David Friedrich, Gerhard von Kügelgen c. 1810–1820. Caspar David Friedrich (German: [ˌkaspaʁ ˌdaːvɪt ˈfʁiːdʁɪç] ⓘ; 5 September 1774 – 7 May 1840) was a German Romantic landscape painter, generally considered the most important German artist of his generation, whose often symbolic, and anti-classical work, conveys a subjective, emotional response to the ...
Pages in category "Romantic paintings" The following 21 pages are in this category, out of 21 total. This list may not reflect recent changes. B. Beethoven (Mähler)
Soon their number would become considerable, giving rise to a romantic undercurrent in literature and visual arts, called Fanciful Romanticism, which would have great popular acceptance between the 1840s and 1850s. [60] François Boucher: Diana leaving her Bath, 1742 Francisco Goya: The Parasol, 1777
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