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As the chords of a 12-bar blues follow a form, so does the melodic line. The melodic line might just be the melody of the piece or it might also include lyrics. The melody and lyrics frequently follow an AA'B form, meaning one phrase is played then repeated (perhaps with a slight alteration), then something new is played. [14]
This 12-bar blues song, written by Tulsa western swing bandleader Johnnie Lee Wills and steel guitarist Deacon Anderson, was published in 1949. Considered a novelty song, the lyrics consisted mostly of spelling out the title of the song; because of the spelling used in the song, it is sometimes referred to as "Ragg Mopp".
In performance, Turner often included many well-rehearsed blues verses, or improvised lyrics, to extend the performance for an hour or more. [ 9 ] [ 10 ] According to Paul Oliver , the recording "features spectacular piano playing by Johnson and a forceful vocal by Turner in the style he made famous - half-shouted and with repetitive phrases ...
For example, the twelve bar blues is a specific verse form, while common meter is found in many hymns and ballads and, again, the Elizabethan galliard, like many dances, requires a certain rhythm, pace and length of melody to fit its repeating pattern of steps. Simpler styles of music may be more or less wholly defined at this level of form ...
Song structure is the arrangement of a song, [1] and is a part of the songwriting process. It is typically sectional, which uses repeating forms in songs.Common piece-level musical forms for vocal music include bar form, 32-bar form, verse–chorus form, ternary form, strophic form, and the 12-bar blues.
Traditional blues verses in folk-music tradition have also been called floating lyrics or maverick stanzas.Floating lyrics have been described as “lines that have circulated so long in folk communities that tradition-steeped singers call them instantly to mind and rearrange them constantly, and often unconsciously, to suit their personal and community aesthetics”.
"What Good Can Drinkin' Do" is a blues song by Janis Joplin, considered the first song she ever recorded. [1] The song has six verses, in a 12-bar blues pattern. Lyrics in the first and last verse are almost identical: "What good can drinkin' do ?" is sung twice, then answered with "Lord, I drink all night but the next day I still feel blue."
"Stop Messin' Round" is credited to Peter Green and C.G. Adams, Fleetwood Mac's manager, who also used the name Clifford Davis. [1] Only two of the song's 12-bar verses include vocals: the first uses the common call and response or AAB pattern, while the second includes four bars of stop-time, before concluding with the same refrain as the first: [2]