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As the chords of a 12-bar blues follow a form, so does the melodic line. The melodic line might just be the melody of the piece or it might also include lyrics. The melody and lyrics frequently follow an AA'B form, meaning one phrase is played then repeated (perhaps with a slight alteration), then something new is played. [14]
This 12-bar blues song, written by Tulsa western swing bandleader Johnnie Lee Wills and steel guitarist Deacon Anderson, was published in 1949. Considered a novelty song, the lyrics consisted mostly of spelling out the title of the song; because of the spelling used in the song, it is sometimes referred to as "Ragg Mopp".
"Stop Messin' Round" is credited to Peter Green and C.G. Adams, Fleetwood Mac's manager, who also used the name Clifford Davis. [1] Only two of the song's 12-bar verses include vocals: the first uses the common call and response or AAB pattern, while the second includes four bars of stop-time, before concluding with the same refrain as the first: [2]
"What Good Can Drinkin' Do" is a blues song by Janis Joplin, considered the first song she ever recorded. [1] The song has six verses, in a 12-bar blues pattern. Lyrics in the first and last verse are almost identical: "What good can drinkin' do ?" is sung twice, then answered with "Lord, I drink all night but the next day I still feel blue."
Song structure is the arrangement of a song, [1] and is a part of the songwriting process. It is typically sectional, which uses repeating forms in songs.Common piece-level musical forms for vocal music include bar form, 32-bar form, verse–chorus form, ternary form, strophic form, and the 12-bar blues.
For example, the twelve bar blues is a specific verse form, while common meter is found in many hymns and ballads and, again, the Elizabethan galliard, like many dances, requires a certain rhythm, pace and length of melody to fit its repeating pattern of steps. Simpler styles of music may be more or less wholly defined at this level of form ...
The blues' 12-bar structure and the blues scale was a major influence on rock and roll music. Rock and roll has been called "blues with a backbeat"; Carl Perkins called rockabilly "blues with a country beat". Rockabillies were also said to be 12-bar blues played with a bluegrass beat.
"Leopard-Skin Pill-Box Hat" is a 12-bar blues,; [30] melodically and lyrically it resembles Lightnin' Hopkins's "Automobile Blues", [19] [31] English language scholar Douglas Mark Ponton wrote that although Dylan has sometimes used Delta blues themes such as love, sex, mourning and anxiety when composing original blues songs, "he also brings ...