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Scytho-Siberian art is the art associated with the cultures of the Scytho-Siberian world, primarily consisting of decorative objects such as jewellery, produced by the nomadic tribes of the Eurasian Steppe, with the western edges of the region vaguely defined by ancient Greeks.
"Animal style" deer, (8-7th century BC) Arzhan kurgan, Tuva. Ordos culture, belt buckle, 3rd–1st century BC. Animal style art is an approach to decoration found from Ordos culture to Northern Europe in the early Iron Age, and the barbarian art of the Migration Period, characterized by its emphasis on animal motifs.
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The paint would be applied after firing. These plaques were built with a sprout attached to the bottom edge of the decorated side. They typically have a perforated element extending to the top edge of the plaque which was used to display or affix the plaque. Plaques such as these are rarely found at other Middle Bronze Age sites in the region. [3]
The Deer Pattern Eaves Tile from the Qin dynasty, The many objects from the Tang Hejia Village hoard, found in 1970, deposited around 755 during the An Lushan Rebellion. The Kneeling Archer, a 120 cm (47 in) tall figure unearthed in 1977 from Emperor Qin Shi Huang's tomb; The Four Footed Li, a Shang dynasty bronze cooking utensil,
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Buckskin is the soft, pliable, porous preserved hide of an animal – usually deer – tanned in the same way as deerskin clothing worn by Native Americans. Some leather sold as "buckskin" may now be sheepskin tanned with modern chromate tanning chemicals and dyed to resemble real buckskin.
Neither deer nor ash trees are native to Iceland. In Norse mythology, four stags or harts (male red deer) eat among the branches of the world tree Yggdrasill. According to the Poetic Edda, the stags crane their necks upward to chomp at the branches. The morning dew gathers in their horns and forms the rivers of the world.