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In abstract painting during the 1950s and 1960s, several new directions, like the Hard-edge painting exemplified by John McLaughlin, emerged. Meanwhile, as a reaction against the subjectivism of abstract expressionism, other forms of Geometric abstraction began to appear in artist studios and in radical avant-garde circles.
AAA preceded but ignored the rise of the "New York School" of Abstract Expressionism. The group remained separate from it, promoting pure geometric abstraction within AAA's ranks, and set itself apart from discussions about and reactions against Abstract Expressionism which included Post-Painterly Abstraction in the 1960s.
In the 1960s, English painter John Hoyland's Color field paintings were characterised by simple rectangular shapes, high-key color and a flat picture surface. In the 1970s his paintings became more textured. [39] During the 1960s and 1970s, he showed his paintings in New York City with the Robert Elkon Gallery and the André Emmerich Gallery.
His painting Big A is an example of his color field paintings of the late 1960s. [21] [27] During the late 1950s and early 1960s, Frank Stella was a significant figure in the emergence of minimalism, post-painterly abstraction and color field painting. His shaped canvases of the 1960s like Harran II (1967) revolutionized abstract painting. One ...
Stephen Sacklarian and wife Ayne in Philadelphia, PA.. Stephen Sacklarian (1899–1983) was an Armenian American painter and sculptor of Bulgarian Armenian descent. Although Sacklarian never formally subscribed to any official art movement, critics consider his paintings to be a blend of Modern and Abstract Expressionist, with elements of Cubism.
Throughout the 1960s, he opted, in his pictorial production, for principles of plastic composition that led him to the "affirmation of a concrete abstractionism, defined by the presence and overlapping of black forms [...], which was very different from visual references and the surreal atmospheres that guided his first works."
This would make his work more similar to the avant-garde platforms like minimalism that replaced the Abstract Expressionist movement in the 1960s. [ 20 ] Art historian David Anfam notes that artists working during Kline's life and after—such as Robert Rauschenberg , Aaron Siskind , Cy Twombly , Mark di Suvero , and Brice Marden —have all ...
The New York School was an informal group of American poets, painters, dancers, and musicians active in the 1950s and 1960s in New York City. They often drew inspiration from surrealism and the contemporary avant-garde art movements, in particular action painting, abstract expressionism, jazz, improvisational theater, experimental music, and the interaction of friends in the New York City art ...