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The upper classes embraced leisure sports, which resulted in rapid developments in fashion, as more mobile and flexible clothing styles were needed. [79] [80] During the Edwardian era, women wore a very tight corset, or bodice, and dressed in long skirts. The Edwardian era was the last time women wore corsets in everyday life.
The Empire-style revival was first seen in Paul Poiret couture collections of the late 1900s, an example being his iconic "Josephine" evening dress, created in 1907. When the Ballets Russes performed Scheherazade in Paris in 1910, a mania for Orientalism ensued. Eastern influences melded with the revival of Directoire style.
Collars were overall very tall and stiffened. Dress shirts had stiff fronts, sometimes decorated with shirt studs and buttoned up the back. Striped shirts were popular for informal occasions. The usual necktie was a narrow four-in-hand. Ascot ties were worn with formal day dress and white bow ties with evening dress.
Schiaparelli wrote that the ancient Greeks "gave to their goddesses... the serenity of perfection and the fabulous appearance of freedom." Her own interpretation produced evening dresses of elegant simplicity. Departing from the chemise, her clothes returned to an awareness of the body beneath the evening dress. Style gallery 1920–25
An evening gown, evening dress or gown is a long dress usually worn at formal occasions. [1] The drop ranges from ballerina (mid-calf to just above the ankles), tea (above the ankles), to full-length. Such gowns are typically worn with evening gloves. Evening gowns are usually made of luxurious fabrics such as chiffon, velvet, satin, or organza.
On the other hand, different styles such as bias-cut, satin, Jean Harlow-style evening dresses and the casual look of Katharine Hepburn also became famous. [9] Paris designers such as Elsa Schiaparelli and Lucien Lelong acknowledged the impact of film costumes on their work. LeLong said "We, the couturiers, can no longer live without the cinema ...
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