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In the famous speech of Act II, Scene II [1] of the play, the line is said by Juliet in reference to Romeo's house: Montague. The line implies that his name (and thus his family's feud with Juliet's family) means nothing and they should be together. Juliet: O Romeo, Romeo! wherefore art thou Romeo? Deny thy father and refuse thy name;
She was the first to portray Juliet in Romeo and Juliet, [3] Lady Macbeth in Macbeth, and other female roles in The Tempest, Hamlet (as Ophelia), [4] Measure for Measure, Much Ado About Nothing, Twelfth Night, King Lear. [2] In Shakespeare's day, female roles were played by teenage boys, as women and young girls were not allowed on the stage.
[13] With the addition of music for Lady Macbeth, Macbeth's aria in Act 3 was completely re-written—as was a considerable amount of the rest of Act 3; a ballet was added in Act 3; a newly composed chorus to an old text began Act 4; and the ending of Act 4 was also changed, Verdi, being determined to drop Macbeth's final aria Mal per me che m ...
Watercolor by John Masey Wright of Act II, Scene ii (the balcony scene). In the later balcony scene, Shakespeare has Romeo overhear Juliet's soliloquy, but in Brooke's version of the story, her declaration is done alone. By bringing Romeo into the scene to eavesdrop, Shakespeare breaks from the normal sequence of courtship.
All references to Romeo and Juliet, unless otherwise specified, are taken from Gibbons, Brian Romeo and Juliet Arden Shakespeare second series (London, Methuen, 1980, ISBN 0-416-17850-2). Under its referencing system, which uses Roman numerals, II.ii.33 means act 2, scene 2, line 33.
Lady Macbeth is a leading character in William Shakespeare's tragedy Macbeth (c. 1603–1607). As the wife of the play's tragic hero, Macbeth (a Scottish nobleman), Lady Macbeth goads her husband into committing regicide, after which she becomes queen of Scotland. Some regard her as becoming more powerful than Macbeth when she does this ...
This painting, most likely a sketch for an intended larger work, represents a passage from the second scene of the second act of the same play. In this scene the protagonist, Macbeth, holds at arm's length the still bloody daggers with which he has just killed King Duncan, while his wife Lady Macbeth, the instigator of the regicide, signals him ...
Tel-Ed had a three-pronged goal; to make students familiar with more plays (most schools taught only Romeo and Juliet, Julius Caesar and Macbeth), to encourage students to enjoy Shakespeare, and to have Shakespeare taught more frequently. Tel-Ed's aim was to make the entire series available to every high school in the US.