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The Acropolis at Athens (1846) by Leo von Klenze.Athena's name probably comes from the name of the city of Athens. [4] [5]Athena is associated with the city of Athens. [4] [6] The name of the city in ancient Greek is Ἀθῆναι (Athȇnai), a plural toponym, designating the place where—according to myth—she presided over the Athenai, a sisterhood devoted to her worship. [5]
Relief believed to depict a procession honoring Athena; the woman in the middle has sometimes been identified as the High Priestess of Athena Polias. The High Priestess of Athena Polias held the highest religious office in Ancient Athens. The priesthood was a hereditary position open only to married women, with a lifetime appointment. [1]
In Roman mythology, Athena was identified with Minerva, who shared many of the traits and characteristics of her Greek counterpart. [14] In relating the Judgement of Paris for Roman audiences, Ovid varies from the Greek traditions regarding Athena by describing Juno, Minerva, and Venus, stripped naked for the Trojan prince's evaluation. [15]
In ancient Greek religion and mythology, the twelve Olympians are the major deities of the Greek pantheon, commonly considered to be Zeus, Poseidon, Hera, Demeter, Aphrodite, Athena, Artemis, Apollo, Ares, Hephaestus, Hermes, and either Hestia or Dionysus. [2] They were called Olympians because, according to tradition, they resided on Mount ...
The Temple of Athena Nike Painting of the Temple of Athena Nike, by Carl Werner, 1877. The Temple of Athena Nike (Greek: Ναός Αθηνάς Νίκης, Naós Athinás Níkis) is a temple on the Acropolis of Athens, dedicated to the goddesses Athena and Nike. Built around 420 BC, the temple is the earliest fully Ionic temple on the Acropolis.
The statue of Athena Parthenos [N 1] (Ancient Greek: Παρθένος Ἀθηνᾶ, lit. 'Athena the Virgin') was a monumental chryselephantine sculpture of the goddess Athena . Attributed to Phidias and dated to the mid-fifth century BCE, it was an offering from the city of Athens to Athena, its tutelary deity .
The association between the owl and the goddess continued through Minerva in Roman mythology, although the latter sometimes simply adopts it as a sacred or favorite bird.. For example, in Ovid’s Metamorphoses, Corone the crow complains that her spot as the goddess' sacred bird is occupied by the owl, which in that particular story turns out to be Nyctimene, a cursed daughter of Epopeus, king ...
Greek mythology has changed over time to accommodate the evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued.