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Basket of Fruit (c.1599) is a still life painting by the Italian Baroque master Michelangelo Merisi da Caravaggio (1571–1610), which hangs in the Biblioteca Ambrosiana (Ambrosian Library), Milan. It shows a wicker basket perched on the edge of a ledge. The basket contains a selection of summer fruit:
Art writers noted several elements of the painting as dominant, either visually or thematically. Moir, for example, notes the key role that the contrast between light and shadow plays in the composition: a window placed high on the left allows a ray of light to penetrate the room, illuminating, as it slides over the wall, the boy, the lush fruit basket, the shirt sleeve, the sensual bare ...
Fruit Basket Turnover or Fruit Basket Upset, also known as Fruit Salad, Fruit Bowl, Fruits Basket [] and others is a children's game.. Fruit Basket usually refers to a variation in which each fruit is ostensibly associated with only one player, and the player in the centre must call two fruit names.
Still Life with Fruit on a Stone Ledge is a painting attributed to the Italian Baroque master Michelangelo Merisi da Caravaggio (1571–1610). The picture has been variously dated between 1601 and 1610 (Caravaggio scholar John T. Spike lists the date as circa 1603 in the second revised edition [ 1 ] of his study of the artist).
Artist Lucy Telles and large basket, in Yosemite National Park, 1933 A woman weaves a basket in Cameroon Woven bamboo basket for sale in K. R. Market, Bangalore, India. Basket weaving (also basketry or basket making) is the process of weaving or sewing pliable materials into three-dimensional artifacts, such as baskets, mats, mesh bags or even furniture.
Fruit Bowl on a Table is a c. 1934 still-life oil painting by the French artist Pierre Bonnard which was bought by the city of Strasbourg in 1995 from the heiresses of Claude Roger-Marx. Today this painting is in the Musée d'Art moderne et contemporain .
The Fruit Bowl is an early 20th century drawing by Juan Gris. The work was produced as part of a collaboration between Gris and Pierre Reverdy to commission a book filled with lithographs made from the former's paintings. The project was interrupted by the onset of World War I in 1914 and never finished.
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