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In rhetoric, antimetabole (/ æ n t ɪ m ə ˈ t æ b ə l iː / AN-ti-mə-TAB-ə-lee) is the repetition of words in successive clauses, but in transposed order; for example, "I know what I like, and I like what I know". It is related to, and sometimes considered a special case of, chiasmus. An antimetabole can be predictive, because it is easy ...
Antimetabole is the repetition of words in successive clauses, but in transposed order. "I know what I like, and I like what I know." Tautology is superfluous and simple repetition of the same sense in different words. "The children gathered in a round circle." Antanaclasis is the repetition of a word or phrase to effect a different meaning.
Hyperbaton / h aɪ ˈ p ɜːr b ə t ɒ n /, in its original meaning, is a figure of speech in which a phrase is made discontinuous by the insertion of other words. [1] In modern usage, the term is also used more generally for figures of speech that transpose sentences' natural word order, [2] [3] which is also called anastrophe.
Both chiasmus and antimetabole can be used to reinforce antithesis. [6] In chiasmus, the clauses display inverted parallelism.Chiasmus was particularly popular in the literature of the ancient world, including Hebrew, Greek, Latin and K'iche' Maya, [7] where it was used to articulate the balance of order within the text.
In 1970, the Belgian semioticians known under the name Groupe μ, reorganized the four operations.First, they observed that the so-called transposition operation can be redefined as a series of addition and omission operations, so they renamed it as "omission-addition". [9]
Anastrophe is a hyponym of the antimetabole, where anastrophe only transposes one word in a sentence. For example, subject–verb–object ("I like potatoes") might be changed to object–subject–verb ("potatoes I like").
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In rhetoric, a rhetorical device, persuasive device, or stylistic device is a technique that an author or speaker uses to convey to the listener or reader a meaning with the goal of persuading them towards considering a topic from a perspective, using language designed to encourage or provoke an emotional display of a given perspective or action.