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Yemenite silver-work is noted for its intricate use of filigree and fine granulation. [2] [6] Jewellery containing a high silver content was called ṭohōr by local Jews, or muḫlaṣ in Arabic, and referred to jewellery whose silver content ranged from 85 to 92 percent, while the rest was copper.
Jewellery of a Berber woman in the Musée du quai Branly, Paris. Jewellery of the Berber cultures (Tamazight language: iqchochne imagine, ⵉⵇⵇⵛⵓⵛⵏ ⵉⵎⴰⵣⵉⵖⵏ) is a historical style of traditional jewellery that was worn by women mainly in rural areas of the Maghreb region in North Africa and inhabited by Indigenous Berber people (in the Berber language Tamazight ...
Heavy and rather voluminous jewelry was very popular, regardless of social class. It was made from turquoise, metals like gold and silver, and small beads. Both men and women adorned themselves with earrings, bracelets, rings, necklaces and neck collars that were brightly colored.
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Speidel experienced a boom in popularity, notably with their invention of the hugely popular expanding strap in the mid-1930s, and in addition to watchbands Speidel produced wristwatches, lighters, writing instruments, small jewelry, and other accessories, before beginning to decline by the end of the century with the struggle to compete with ...
Red string from near the Western Wall in Jerusalem. Wearing a thin scarlet or a crimson string (Hebrew: חוט השני, khutt hashani) as a type of talisman is a Jewish folk custom which is practiced as a way to ward off misfortune which is brought about by the "evil eye" (Hebrew: עין הרע).
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