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After the film's release, Auden's work saw increased attention, particularly "Funeral Blues". [8] A collection of ten of Auden's poems titled Tell Me the Truth About Love—including "Funeral Blues"—was published by Faber and Faber upon the film's release and sold around a quarter million copies.
Wystan Hugh Auden (/ ˈ w ɪ s t ən ˈ h juː ˈ ɔː d ən /; 21 February 1907 – 29 September 1973 [1]) was a British-American poet. Auden's poetry is noted for its stylistic and technical achievement, its engagement with politics, morals, love, and religion, and its variety in tone, form, and content.
Auden refused to title his early work because he wanted the reader to confront the poetry itself. Consequently, his first book was called simply Poems when it was printed by his friend and fellow poet Stephen Spender in 1928; he used the same title for the very different book published by Faber and Faber in 1930 (2nd ed. 1933), and by Random ...
The two stanzas are printed in Edward Mendelson's Early Auden (1981). Soon after writing the poem, Auden began to turn away from it, apparently because he found it flattering to himself and to his readers. When he reprinted the poem in The Collected Poetry of W. H. Auden (1945) he omitted the famous stanza that ends "We must love one another or ...
On This Island is a book of poems by W. H. Auden, first published under the title Look, Stranger! in the UK in 1936, then published under Auden's preferred title, On this Island, in the US in 1937. It is also the title of one of the poems in the collection. The book contains thirty-one poems.
The Orators: An English Study is a long poem in prose and verse written by W. H. Auden, first published in 1932. It is regarded as a major contribution to modernist poetry in English. The Orators is divided into three main sections, framed by "Prologue" and "Epilogue" (each a short poem).
The poem is written in the villanelle or villanesque form of poetry, which contains nineteen lines. These lines consist of five tercets and a quatrain at the end. Two lines of the opening tercet, the first and the third, are known as refrains and are repeated alternately throughout the poem as the final lines of the following tercets. In this ...
The poem was included without a title, described as "a gobble poem snatched from the notebooks of WH Auden". A brief publication history of "The Platonic Blow" appears in Bloomfield and Mendelson's 1972 bibliography of Auden's work. [2] Auden admitted his authorship to friends, and in print in the Daily Telegraph Magazine in 1968. [3]
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