Search results
Results from the WOW.Com Content Network
The five great vows apply only to ascetics in Jainism, and in their place are five minor vows for laypeople (householders). The historic texts of Jains accept that any activity by a layperson would involve some form of himsa (violence) to some living beings, and therefore the minor vow emphasizes reduction of the impact and active efforts to ...
Jain temples and monasteries had mural paintings from at least 2,000 years ago, though pre-medieval survivals are rare. In addition, many Jain manuscripts were illustrated with paintings, sometimes lavishly so. In both these cases, Jain art parallels Hindu art, but the Jain examples are more numerous among the earliest survivals.
The five colours of the Jain flag represent the Pañca-Parameṣṭhi and the five vows, small as well as great: [5] White – represents the arihants , souls who have conquered all passions (anger, attachments, aversion) and have attained omniscience and eternal bliss through self-realisation.
[79] [80] Early colonial era observers and some early 20th-century Jain writers such as Malvaniya hypothesized that this movement against idol worship may be the impact of Islam on Jainism, but later scholarship states that the sub-traditions arose from an internal dispute and debate on the principle Ahimsa (non-violence).
The life of Christ as a narrative cycle in Christian art comprises a number of different subjects showing events from the life of Jesus on Earth. They are distinguished from the many other subjects in art showing the eternal life of Christ, such as Christ in Majesty , and also many types of portrait or devotional subjects without a narrative ...
Ethics of Jainism Mahavratas (major vows) Ahiṃsā (non-violence) Satya (truth) Asteya (non-stealing) Brahmacarya (chastity) Aparigraha (non-possession)
A controversy has ensued in Spain over an artwork created for Easter week in Seville, with some seeing the image of Jesus created by artist Salustiano García as sexualized and offensive, which ...
Suffering Jesus (Jesus patibilis) is identical to the World Soul and the Living Self, which is the light that is imprisoned in matter; like the historical Jesus, he is depicted crucified in the world. [14] The pain suffered by the imprisoned light was understood to be real and imminent, not merely metaphorical.