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After being given the priesthood by John the Baptist by the laying on of hands, the two men baptized each other in the nearby Susquehanna River. Following the baptisms, they ordained each other to the Aaronic priesthood. [2] Soon after, Smith said the Melchizedek priesthood was restored to him and Cowdery somewhere nearby. [3]
Hebrews 7 is the seventh chapter of the Epistle to the Hebrews in the New Testament of the Christian Bible.The author is anonymous, although the internal reference to "our brother Timothy" (Hebrews 13:23) causes a traditional attribution to Paul, but this attribution has been disputed since the second century and there is no decisive evidence for the authorship.
In 2006, it was placed next to Fairbanks' Restoration of the Melchizedek Priesthood sculpture in an area between the temple and South Visitors Center. It has since been moved as part of the 2020s redevelopment of Temple Square. [citation needed] The artwork is administered by the church's Museum of Church History and Art.
Restoration of the Melchizedek Priesthood is a 1960s bronze sculpture by Avard Fairbanks. The artwork was commissioned by the First Presidency of the Church of Jesus Christ of Latter-day Saints (LDS Church) for Temple Square in Salt Lake City , Utah , United States.
The majority of Chazalic literature attributes the primary character of psalm 110 as King David [6] who was a "righteous king" (מלכי צדק) of Salem (Jerusalem) and, like Melchizedek, had certain priest-like responsibilities, while the Babylonian Talmud understands the chapter as referring to Abram who was victorious in battling to save his nephew Lot and merited priesthood. [7]
However, that title can be given to Jesus, "the apostle and high priest of our profession". [25] The psalm is used in the Epistle to the Hebrews to justify the award of the title "High Priest" to Jesus from Scripture. [26] Henry notes: "Melchizedek was 'a priest upon his throne' (Zech. 6:13), so is Christ, king of righteousness and king of peace.
The gospels describe how, after his initial capture, Jesus was brought before Caiaphas – a high priest in the Jewish Sanhedrin. [4] Honthorst depicts the moment that Caiaphas asks Jesus if he truly claims to be God. The scene takes place at night. Jesus and Caiaphas are separated by a table upon which a candle provides the only light.
A young boy, who would later be known as John the Baptist, brings in water to wash the wound, prefiguring his later baptism of Christ. An assistant of Joseph, who represents Jesus's future Apostles, observes these events. In the background of the painting various objects are used to further symbolize the theological significance of the subject.