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Type one 16" - As it first appeared when originally introduced in Gibson's price list (April 1923), the L-5 sported a 16" body with a Cremona brown finish, birch or maple sides, a single-bound, 20-fret fingerboard with a pointed end, dot inlays, a slanted "The Gibson" script logo on the headstock, and silver-finish hardware. Most of these type ...
The Gibson ES-333 is a semi hollow body electric guitar made by Gibson Guitar Corporation. The ES-333 is quite similar to the Gibson ES-335, but varies from the ES-335 in the following ways: The finish is a thin satin finish, versus the ES-335's thicker full gloss finish. The headstock has a silkscreen Gibson logo, versus the ES-335's inlaid ...
Inlay on guitars or similar fretted instruments are decorative materials set into the wooden surface of the instrument using standard inlay techniques. Although inlay can be done on any part of a guitar, it is most commonly found on the fretboard, headstock—typically the manufacturer's logo—and around the sound hole of acoustic
Standard with dot inlays and BurstBucker humbuckers, as well as optional Bigsby vibrato [19] Standard P-90 with trapezoid inlays and P-90 pickups [20] Custom with humbuckers, block inlays and split diamond headstock inlay, like an ES-355 [21] Kalamazoo, with appointments referencing the Byrdland [22] Signature Bass [23]
The production version (v2, 2008–2011) featured a chambered mahogany body, maple top, set mahogany neck, 22-fret rosewood-bound (standard finishes) or white-bound (metallic finishes) ebony fingerboard with figured acrylic trapezoid inlays, white-bound headstock with MOP Gibson logo and flowerpot inlay (metallic finishes) or unbound headstock ...
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The fretboard inlays were double parallelograms and the headstock featured inlays of the Gibson logo and 'crown'. The body was 3.375 in (8.57 cm) and it was 16.25 in (41.3 cm) at the lower bout. [1] The guitar had a maple laminated top, back and sides, with a set-neck made of mahogany. The florentine cutaway on the 175 was seen as an ...
Like the L-5, it featured multiple binding on the single-cutaway 3-ply solid maple body, 5-piece maple neck, and headstock, and also featured an ebony fingerboard with block inlays. The headstock featured a flower-pot inlay similar to the L-5 archtop and most L5S models featured the L-5 trapeze tailpiece (though some had stop-bar or TP-6 fine ...
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